Suzan Lori-Parks is one of America's most distinctive playwrights. Part of the Michigan Major Dramatists series, this book offers a guide to Parks' dramatic works. It traces the evolution of Parks' art from her earliest experimental pieces to the hugely popular Topdog/Underdog to her wide-ranging forays into fiction, music, and film.
I vote for them two sharp little brown n white polka-dotted numbers. Put em both in thuh brown n white dotted Swisses. BUFFY: There iduhn't any brown and white swiss. MRs. SMITH: Perm press is best. Put em in thuh swiss.
“Suzan-Lori Parks is one of the most important dramatists America has produced.”—Tony Kushner “The plan was that no matter what I did, how busy I was, what other commitments I...
y family moved around a lot which, so I'm told, if you've got the inclination, can make a writer out of you. ... written some radio plays and some screenplays including Girl 6 which premiered in 1996 and was directed by Spike Lee. I'm a ...
A new play by the Pulitzer Prize-winning author of Topdog/Underdog.
his morning I'm waiting to get on my plane, a flight on American (Airlines). I'm going to Roanoke, Virginia, so that I can speak with some students and faculty and staff at Washington and Lee University (or “W&L” as their university is ...
Having difficulty threading the needle , she takes out an object wrapped in brown paper . Looks cautiously around . Begins to unwrap it . A sandwich . Hester Put something in my stomach maybe my eyesll work . Amiga Gringa comes in .
Getting Mother’s Body is a true spiritual successor to the work of writers such as Zora Neale Hurston and Alice Walker—but when it comes to bringing hard-luck characters to ingenious, uproarious life, Suzan-Lori Parks shares the stage ...
Colonel One for me and one for my wife, hand-delivered by General Lee's best nigger. Smith Yes. Maybe. And you'd get plenty of money. ... And a little wild. If you were a General I'd get mistress. Smith But I'm just a ...
THE STORY: A darkly comic fable of brotherly love and family identity is Suzan-Lori Parks' latest riff on the way we are defined by history.
This is a major collection with immediate relevance to students of American/African-American theater, literature and culture. Parks’s engaging voice is brought to the fore, making the book essential for undergraduates as well as scholars.