Cross-dressing, sexual identity, and the performance of gender are among the most hotly discussed topics in contemporary cultural studies. A vital addition to the growing body of literature, this book is the most in-depth and historically contextual study to date of Shakespeare's uses of the heroine in male disguise--man-playing-woman-playing-man--in all its theatrical and social complexity. Shapiro's study centers on the five plays in which Shakespeare employed the figure of the "female page": The Two Gentlemen of Verona, The Merchant of Venice, As You Like It, Twelfth Night, and Cymbeline. Combining theater and social history, Shapiro locates Shakespeare's work in relation to controversies over gender roles and cross-dressing in Elizabethan England. The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that found their way into Shakespearean drama, Shapiro considers such cases as cross-dressing women in London being punished as prostitutes and the alleged homoerotic practices of the apprentices who played female roles in adult companies. Shapiro also traces other Elizabethan dramatists' varied uses of the cross-dressing motif, especially as they were influenced by Shakespeare's innovations. "Shapiro's engaging study is distinguished by the scope of interrelated topics it draws together and the balance of critical perspectives it brings to bear on them." --Choice Michael Shapiro is Professor of English, University of Illinois, Urbana.
Profiles the woman who played Kathy Anderson on "Father Knows Best," detailing her fairy-tale TV life and the horrors of her real one, including her twenty-year slide after the show stopped and her subsequent recovery
The Solid Gold Sandbox
Von den Anfängen bis zum Brand des Theaters in der Wollgasse (1889) (= Theatergeschichte Öster- reichs, Bd. 10, H. 1.). Wien, Köln, Graz: Böhlau Verlag. 1972. BIRÓ, Ferenc: A felvilágosodás korának magyar irodalma. 2. Auflage.
Almal dink my lewe is perfek. Ek is Mia Malan, sepiekoningin. Baie meisies wens dat hulle my lewe kon hê. As hulle maar net geweet het.
Ek was voorheen Mia Malan, sepiester. Nou gaan ek probeer om Mia Malan, filmster, te wees. Maar sê nou ek word Mia Malan, nul op 'n kontrak?
Your Child as a Model: A Parents' Guide to Photographic Modelling
What is the effect of catching a queer pun's double meaning in a group rather than while alone? How can we characterize those auditors, within the convoluted, if fascinating, theories of erotic identity offered by queer theorists?
How to break your child into acting in Hollywood and the funny and sometimes unbelievable true stories of those in the business.
What I didn't know about what we were doing would fill a large book.Today, Dove is a grounded, successful young woman with her own show on the Disney Channel, and four films to her credit, as well as numerous other TV and music credits.We ...
The minute Valeriana marches into his house, he is ready to send her packing--until he sees the magic she works on his children . . . and on his own jaded heart.