Providing an alphabetical listing of sexual language and locution in 16th and 17th-century English, this book draws especially on the more immediate literary modes: the theatre, broadside ballads, newsbooks and pamphlets. The aim is to assist the reader of Shakespearean and Stuart literature to identify metaphors and elucidate meanings; and more broadly, to chart, through illustrative quotation, shifting and recurrent linguistic patterns. Linguistic habit is closely bound up with the ideas and assumptions of a period, and the figurative language of sexuality across this period is highly illuminating of socio-cultural change as well as linguistic development. Thus the entries offer as much to those concerned with social history and the history of ideas as to the reader of Shakespeare or Dryden.
Focuses on Shakespeare's sexual language, some of which is notoriously difficult to unravel and whose roots go back into earlier literature. This is a comprehensive but concise reference guide to sexual language and imagery in Shakespeare.
This book investigates how the sexual element in Shakespeare's works is complicated and compromised by the impact of print.
Shakespeare: Coriolanus
What is the effect of catching a queer pun's double meaning in a group rather than while alone? How can we characterize those auditors, within the convoluted, if fascinating, theories of erotic identity offered by queer theorists?
As Stanley Cavell pointed out, Shakespeare's Menenius is “partisan, limited ... as teller of the tale” when compared to the Menenius in Philip Sidney's Defence of Poetry who Sidney notes “wrought such effect in the people, ...
Palmer, Daryl W. Writing Russia in the Age of Shakespeare, Aldershot, Ashgate, 2004. Parker, Patricia. 'Black Hamlet: Battening on the Moor', Shakespeare Studies, vol. 31 (2003), 127–64. Partridge, Eric. Shakespeare's Bawdy, with a ...
... A glossary of Shakespeare's sexual language f Gordon Williams. p. Cm. Supplement to: Dictionary of sexual language and imagery in Shakespearean and Stuart literature. Includes bibliographical references (p. ) and index. ISBN 0-485-11511 ...
... sexual vigor and ecstasy, as in his poetry when Venus tells Adonis “my flesh is soft and plump, my marrow burns.” 51 According to A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature marrow- bone was an ...
Bibliography Dieter, Kirsten, The Tower of London in English Renaissance Drama (New York: Routledge, 2008). Dillon, Janette, '“Is Not All the World Mile End, Mother?”: The Blackfriars Theater, the City of London and The Knight of the ...
constant preoccupation, and where a black eye may be either a corrective or a compliment'.172 A few months after its introduction the song was 'already a classic', though Lloyd continued to add depth to the characterization.