Heavily influenced by T. S. Eliot's "The Waste Land," the poems of Spring and All express the author's beliefs about the role and form of art in a modern context. William Carlos Williams offers an intensely stylized set of exercises in reduction that capture, in his words, "the immediacy of experiences." Sections of vivid, sensuous prose — described by the poet as "a mixture of philosophy and nonsense"—alternate with straightforward free verse that explores the creative uses of imagination and the power of language. "Spring and All," the title work of this 1923 collection, represents Williams's first major achievement as a poet, and was praised by The New York Times as one of the greatest poems of the twentieth century. This groundbreaking compilation also features some of the poet's best-known verse, including the modernist masterpieces: "The Red Wheelbarrow" and "To Elsie."
A beautiful facsimile of the 1923 original edition which is considered "one of the greatest poems of the twentieth century". (The New York Times) Spring and All is a manifesto of the imagination — a hybrid of alternating sections of prose ...
This volume collects the self-published edition of Poems, Williams's foray into the world of letters, with previously unpublished notes he made after spending nearly a year in Europe rethinking poetry and how to write it.
Full Facsimile of the original edition. Not reproduced with Optical Recognition Software. A practicing physician for more than 40 years, William Carlos Williams became an experimenter, innovator and revolutionary figure in American poetry.
These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human ...
" Filled with bright, unforgettable images, the deceptively simple work of William Carlos Williams revolutionized American verse, and made him one of the greatest twentieth-century poets.
" So that readers could more fully understand the extent of Williams' radical simplicity, all of his published poetry, excluding Paterson, was reissued in two definite volumes, of which this is the first.
In 1907, a federal engineer who surveyed the Meadowlands declared that “'the marsh in its present condition is not only worthless, but is a detriment to public health and a nuisance to the residents of the adjacent upland'” (Marshall 7) ...
Discusses the reckless annihilation of fish and birds by the use of pesticides and warns of the possible genetic effects on humans.
Gathers, chronologically, all the major poems of Williams' career
But as Violet’s world grows, Finch’s begins to shrink. . . . “A do-not-miss for fans of Eleanor & Park and The Fault in Our Stars, and basically anyone who can breathe.” —Justine Magazine “At the heart—a big one—of All the ...