"Dunn, in his teaching, was more concerned with the essential spirit of work than with technical procedures. He never taught what kind of brushes or what kind of paint to use. It was merely whether the result had anything in common with the excitement of human existence." — Dean Cornwell, "the Dean of Illustrators" Illustrator and painter Harvey Dunn was deeply influenced by Howard Pyle and the teaching he received while at his school. Pyle's Brandywine students became some of the most important and well-regarded artists of the twentieth century, including N. C. Wyeth, Frank Schoonover, Violet Oakley, and Jessie Willcox Smith. All studied alongside Dunn, and many of them would go on to teach. Dunn embraced Pyle's approach as an instructor and went on to influence the next generation of artists. During the course of an evening in 1934, while Dunn was teaching at Grand Central School of the Arts, one Miss Taylor, a witness to the class, recorded his comments and criticisms. These notes later surfaced in a slim, limited-edition volume. Enhanced by Dunn's striking woodcut images, the book provides a flavorful re-creation of the atmosphere in his classroom. An Evening in the Classroom is the best-preserved record of Dunn's critiques, and this handsome hardcover book will instruct and inspire artists, teachers and students, and art historians.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...