A unique look into the life and art of Sean Scully, an internationally celebrated artist and creative practitioner at the height of his powers. Sean Scully’s paintings of brushy stripes and blocks of sumptuous color are critically acclaimed and widely admired. In this fascinating book, the record of countless hours of conversations between Scully and his friend art critic Kelly Grovier, the painter reflects on his extraordinary journey—from homelessness on the streets of Dublin in the mid-1940s to his current position as one of the most important abstract artists working today. In these revealing conversations, Scully recalls with poignancy and wit his rough-and-tumble childhood in London, his tenacity in the face of rejection from nearly every art school in England, and his rise to prominence in New York in the 1980s. Illustrated throughout with images that capture both the artist and his work, this volume explores Scully’s relationship with past masters, from Rembrandt to Mark Rothko, and delves deep into his eventual rejection in the late 1970s of minimalism—the dominant force in abstract art at the time. Punctuated throughout by passionately recounted stories of struggle and loss, perseverance and triumph, the portrait that emerges from these pages is at once intimate and surprising. On the Line reflects the scope of Scully’s broad interests and opinions, with segments devoted not only to his attitudes toward the art world and his most significant works, but also culture, politics, and philosophy. Scully communicates with a raw pugnacity that is every bit as hard-hitting as his big brushstrokes.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...