In this volume, Boardman examines the functions of vases in ancient Greek life and culture, and as messengers of style and subject. He relates the processes of identifying the artists themselves, their methods of manufacture and decoration, the artists' life and conduct in the potters' quarter in Greek towns, and the ways in which their wares were traded beyond the borders of the Greek world, from Morocco to Persia, from Russia to the Sudan. Boardman demonstrates that the scenes figured on the vases reflected not simply on story-telling, but on the politics and social order of the day; moreover, they exercised a style of narrative in art that was to resonate throughout Western culture for centuries to come.
Presents a beautifully illustrated account of Ancient Greek vases and their role in human culture. This richly illustrated volume offers a fascinating introduction to ancient Greek vases for the general reader.
Beazley 1963: 296, 132; Carpenter 1989: 194. Photo credit: Museum. IV: 7 Athenian red-figure ... Beazley 1971: 344, 131 bis; Carpenter 1989: 194. Photo credit: Museum. ... London, British Museum, Greek and Roman Department B 424.
Included is an essay on how to look at Greek vases and another on the conservation of ancient ceramics. These essays provide succinct explanations of the terms most frequently encountered by museum-goers.
This book, first published in 1991, offers suggestions on how to read the often complex images presented by ancient Greek vases.
The museum is famed for its Greek vases, of which 35 notable examples are detailed in this book. They reveal the variety and vitality of the refined forms and masterfully rendered scenes that characterize these works.
This richly illustrated book is a comprehensive study of visual humour in ancient Greece, emphasising works created in Athens and Boeotia.
Written by a master potter, this is a book both for those who know little or nothing about potting techniques and for those who already have an understanding of these matters.
By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art.
The So-called Nonsense Inscriptions on Ancient Greek Vases by Sara Chiarini is the first systematic study of the phenomenon of nonsense writing on Greek pottery of the late archaic and early classical age.
This anthology of Greek vases, composed to please the eye', discusses and illustrates many of the thousands of Greek vases that survive in a remarkably good state of preservation in museum collections around the world.