More than seventy-five of today’s leading international artists write about an individual artist whose work has influenced, moved, or inspired them
Behind the closed door of the contemporary artist’s studio is a hidden world of images—those artworks from the distant or near past that have animated, troubled, consoled, or inspired the artists of today. This book reveals that hidden world, presenting an intimate guide to the imaginations of today’s leading practitioners through the works they love best. Artworks ranging from the fifteenth to the mid-twentieth centuries are featured, often supplemented by reproductions of work by the selecting artists. Intimate and evocative, the stories speak of the challenges, provocations, revelations, and delights that can be found when one artist looks closely at the work of another. Some artist-contributors provide unusual perspectives on familiar figures from art history—including Thomas Demand on Paolo Uccello, Miroslaw Balka on Michelangelo, Vik Muniz on Peter Paul Rubens, Julião Sarmento on Eugene Delacroix, Joan Fontcuberta on Louis Daguerre, and Eija- Liisa Ahtila on Pablo Picasso. Others select lesser-known artists, from Jean-Marc Bustamante on Pieter Saenredam, Francesco Clemente on Henry Fuseli, and Tomma Abts on It¯o Jakuch¯u to Erwin Wurm on Poul Gernes, Do Ho Suh on Kim Keong-Hui, and John Bock on Armand Schulthess.
At the height of his fame, he was the artist as royalty: incalculably wealthy, universally idolized--and wholly isolated.In this stunning critical assessment, John Berger--one of this century's most insightful cultural historians--trains ...
What Great Paintings Say: Masterpieces in Detail
In Book 35 , Pliny describes the relationship between Alexander the Great and Apelles , with specific incidents that became grist for the theorists ' mill — the frequent visits to the artist's studio , the exclusive right to paint the ...
Tricks demonstrating scientific principles from inertia to perceptual illusions. Includes sample patter and performance tips.
德国美术史家温克尔曼说:“阿波罗的双目温柔多情, 就好似渴慕拥抱他的缪斯的眼睛。”这种称赞和宋塑的观音被称为媚态观音一样,既有主观想象也有客观依据。和这个阿波罗的女性化比较,相传为普拉克西特莱斯作的《杀蜥蜴的阿波罗》和唐代的石雕菩萨相似, ...
... 写生班学习,1993年入中国美术学院国画系学习,2009年入首都师范大学现代水墨研究生班深造。先后参加刘进安先生《以心接物》师生作品展,辛卯墨象十一名画家展,2012深圳国际水墨双年展,2013年5 月上海外滩帕奇举办个人画展,2015与墨共伍五人中国画精品巡展。
中华明元前两千纪的时候,夏朝统一了肥沃平坦的中原,开了朝代更迭,续中华明。夏、、周三代富华美、彩纷呈的青铜艺术,显示了中华炼铸造技术的界领先水平、于富矿产资源发达的审美理和钟鸣的生活理想。节俭而又制闻名的庞大国的宫和实艺术满了慑和自。
六、一字之差在《康文辩罪》这回大书之前,另有一回也是有关武松冤案的大书,叫作《陈洪辩罪》。我想,对于尚未读过评话《武松》,愿意了解《康文辩罪》的读者,有必要约略介绍《陈洪辩罪》。它也表现了说书人出色的艺术才能,表现出评话艺术的特殊技巧。
《山中》那位文工团员陈煜,是荣誉室工程塌方的幸存者之一。受了重伤躺在床上,得知爱侣琴琴为了抢救“宝椅”而作了无谓的牺牲,得知琴琴母亲因爱女的惨死而自杀,也知道一心要“突出政治”的秦浩要把十九人的死当作“精神原子弹”闪光来作宣传。秦浩颠倒是非, ...
陈彩,再现了一个谋夫夺妻的坏蛋。陈彩和萧方有差别而又有一致的地方。他有钱无势,想霸占裁缝潘林的妻子,不敢像萧方那样武取。挽了一个“圈圈”,借合伙贩卖盐米为由,把潘林骗往他乡,在西关渡口把他害死。因为尸体的头上有伤痕,陈彩怕阴谋暴露,只得把尸体烧成 ...