Nineteenth Century Art: A Critical History, hailed as one of the most engrossing and stimulating art history texts to come along for years by The Times Higher Education Supplement, embraces many aspects of the so-called new art history attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism, popular and élite culture while at the same time recovering the remarkable vitality, salience and subversiveness of the eras best art. This new fourth edition includes four revised chapters together with a substantially expanded chapter on Photography, Modernity and Art. With 245 illustrations now in colour, including over a dozen brand new images, this rich and diverse volume will interest students, specialists and anyone fascinated by this dynamic period.
The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social ...
Offering fascinating biographical details and the relevant social, political and cultural context, Adams provides the reader with an understanding of both how revolutionary the works were at the time and of their enduring appeal.
In summary, this important text: Offers a comprehensive review of nineteenth-century art that considers the most pressing issues and significant artists of the era Covers a wealth of important topics such as ethnic and gender identity, ...
Providing detailed discussion of 232 painters, this text stresses the interconnections of painting and sculpture with the other arts, and to social and political conditions. The book reflects the revisionist...
A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social ...
This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat.
Offering an examination of the paragone, meaning artistic rivalry, in nineteenth-century France and England, this book considers how artists were impacted by prevailing aesthetic theories, or institutional and cultural paradigms, to compete ...
"This is a reconsideration of the origins of modern painting, sculpture and photography in Europe and North America.
A supplement to upper-level undergraduate courses in Nineteenth-Century European Art. This chronological anthology of recent critical scholarship on 19th-century European art represents a wide range of current methodologies and issues.
Letter, Robert S. Duncanson to Junius R. Sloan, August 21, 1854, Platt R. Spencer Collection, Newberry Library, Chicago, Illinois. ... The Garden of Eden derives, with variations, from Cole's painting of the same; that work, in turn, ...