Painting is a continually expanding and evolving form of creative expression. The radical changes in the medium that took place in the 1960s and 70s - the period that saw the shift from a modernist to a postmodernist visual language - have led to painting's continued energy and diversity. Suzanne Hudson provides an intelligent and original survey of contemporary painting - a critical snapshot that brings together more than 200 artists from around the world who are defining the painterly ideas and aesthetics of our time. A contextual introduction maps out the history of painting in the modern and postmodern eras, followed by six chapters that explores the themes of appropriation, attitude, production and distribution, the body, painting about painting, and painters who introduce performance, installation and textiles into their work to critique painting itself. Compellingly argued and beautifully illustrated, Painting Now is an invaluable primer on the state of painting today.
With his sons Josse and Gaston, Alexandre organized the first major exhibition of the work of Vincent van Gogh in Paris in ... L'Espagnole aux fleurs (Spanish Woman with Flowers), also purchased from Matisse by both Josse and Gaston on ...
" "Along with Rothenberg's haunting, evocative images, reproduced in full color, the volume includes an important critical introduction by Cheryl Brutvan, Beal Curator of Contemporary Art at the Museum of Fine Arts in Boston, and a poetic ...
John Tunnard: His Life and Art from the 1920s to the 1970s
Beverly McIver: Invisible Me
Isihloko sale ngqokelela yemibongo sakhelwe phantsi kwemibono yabantu beAfrika ngeAfrika yabo.
fullt illustrated catalogue of paintings exhibited at Liverpool St Gallery in association with Niagara Galleries Melbourne
This book functions both as a theoretical study of painting practice - essays by Jan Bryant and Leonhard Emmerling disagreeing about the supposed purpose or operation of contemporary painting - and an exhibition catalogue, illustrating in ...
In her riveting, partly autobiographical, extended introduction, Nochlin documents her own pioneering approach to art history; throughout the seven essays in this book, she argues for the honest virtues of an art history that rejects ...
In the autumn of 1886 Vincent van Gogh , living at the time in Paris , wrote to an English painter called Levens telling him ' I may be going to the South of France , the land of the blue tones and bright colours ' .
张勇油画作品集