Women--as warriors, workers, mothers, lovers--haunt nineteenth and twentieth-century Western painting. This republication of Representing Women brings together the late Linda Nochlin's most important and pioneering writings on the representation of women in art as she considers works by Jean-Francois Millet, Eugene Delacroix, Gustave Courbet, Edgar Degas, Georges Seurat, Mary Cassatt, and Kathe Kollwitz, among many others. In a riveting, partly autobiographical introduction, Nochlin argues for the honest virtues of an art history that rejects methodological presuppositions and for art historians to investigate the work before their eyes while focusing on its subject matter, informed by a sensitivity to its feminist spirit.
How Women Represent Women argues that political parties fundamentally structure the ways in which women legislators represent women's interests.
The essays in this book constitute a comparative move toward defining new and unified theoretical orientations to studying representation among women.
The first book-length treatment of the political representation of women in countries with parliamentary systems based on the Westminster model.
LITERATURE Abdela, L. (1989), Women with X Appeal. London: Macdonald Optima. Abraham, B. and Ledolter, J. (1983), Statistical Methods for Forecasting. New York: Wiley. Agacinski, S. (1998), Politique Des Sexes. Paris: Editions du Seuil.
An important contribution to feminist film theory by a major figure in the field, Representing the Woman is an essential component of every cinema studies and women's studies bookshelf.
Drawing on in-depth interviews with more than half of the new Labour women MPs, Sarah Childs reveals how these women actually experienced being MPs, and explores whether they acted for and like women – in their constituencies, in ...
With infographics, profiles of women politicians, and wisdom and advice from women in office, this is a must-own for any woman thinking of joining the pink wave.
By exploring textual, visual and material culture, this volume presents a range of new research into the experiences, agencies and diverse political identities of Iberian women between the fifteenth and early-eighteenth century.
Shakespeare Without Women is a controversial study of female impersonation and the connections between dramatic and political representation in Shakespeare's plays.
Women, Art, and Power?seven landmark essays on women artists and women in art history?brings together the work of almost twenty years of scholarship and speculation.