A comprehensive description of Beethoven's sketchbooks--bound books of music paper in which Beethoven made sketches for his compositions from about 1798--has been long felt by Beethoven scholars. Although almost all the sketchbooks have survived in one form or another, it became clear in the 1960s that they were in a state of disarray. A reconstruction of their original condition was essential to the proper study of their musical contents.
The book comprises: * Introductory chapters which summarize the ways in which past scholars have treated the sketches, explain the bewildering nomenclature that surrounds them, and proceed to more detailed discussions of the principal ...
Two Beethoven Sketchbooks: A Description with Musical Extracts
This introduction provides students and scholars with the information and skills they need when studying composers' sketches.
Fresh perspectives on the symphonies and piano concertos of Ludwig van Beethoven are offered in the inaugural volume of North American Beethoven Studies.
From now on, we will all turn to Lockwood's Beethoven: The Music and the Life for insight and instruction." —Maynard Solomon "This is truly the Beethoven biography for the intelligent reader.
In this compelling story of Beethoven’s singular ambition, Lockwood introduces readers to the symphonies as individual artworks, broadly tracing their genesis against the backdrop of political upheavals, concert life, and their ...
Beethoven's Sketches: An Analysis of His Style Based on a Study of His Sketch-books
Robert Martin writes from his experience as cellist of the Sequoia Quartet. And the book is anchored by the program notes of Michael Steinberg, who has served as Artistic Advisor of the San Francisco Symphony and the Minnesota Orchestra.
Beethoven's habit of composing by making many preliminary drafts and sketches was sufficiently unusual to attract attention even during his lifetime, and his creative process has attracted a good deal...
This critical edition, the third in the Beethoven Sketchbook Series, offers a facsimile and transcription of the contents of the stitched pocket sketchbook started by the fifty-year-old master during the summer of 1820.