The crippling custom of footbinding is the thematic touchstone for Judy Yung's engrossing study of Chinese American women during the first half of the twentieth century. Using this symbol of subjugation to examine social change in the lives of these women, she shows the stages of "unbinding" that occurred in the decades between the turn of the century and the end of World War II. The setting for this captivating history is San Francisco, which had the largest Chinese population in the United States. Yung, a second-generation Chinese American born and raised in San Francisco, uses an impressive range of sources to tell her story. Oral history interviews, previously unknown autobiographies, both English- and Chinese-language newspapers, government census records, and exceptional photographs from public archives and private collections combine to make this a richly human document as well as an illuminating treatise on race, gender, and class dynamics. While presenting larger social trends Yung highlights the many individual experiences of Chinese American women, and her skill as an oral history interviewer gives this work an immediacy that is poignant and effective. Her analysis of intraethnic class rifts—a major gap in ethnic history—sheds important light on the difficulties that Chinese American women faced in their own communities. Yung provides a more accurate view of their lives than has existed before, revealing the many ways that these women—rather than being passive victims of oppression—were active agents in the making of their own history.
Judy Yung, a second-generation Chinese American born and raised in San Francisco, shows the stages of "unbinding" that occurred in the decades between the turn of the century and the end of the World War II, revealing that these women - ...
A : Yes , she did go to the ancestral hall in the company of her women attendants , but she was there for only a short time . I did not go there . Q : Were there any feasts held in connection with your marriage ? A : Yes .
‘Touching, insightful and human – this book demands a social and, above all, a political response’ Jon Snow Tamsen Courtenay spent two months speaking to people who live on London’s streets, the homeless and the destitute – people ...
Fewer than 10,000 of them would survive, but remarkably all of the women would live to tell the tale. Unbound is an amazing story of love, friendship, and survival written by a new master of adventure narrative.
Lee , Anthony W. Picturing Chinatown : Art and Orientalism in San Francisco . Berkeley : University of California Press , 2001 . Loo , Chalsa M. Chinese America : Mental Health and Quality of Life in the Inner City .
These 21 dynamic articles by Chinese women scholars explore the limitations on women's lives in premodern China, detail their involvement in the great political movements of the 20th century and examine how new laws have improved women's ...
Steph Jagger had always been a force of nature.
Written in pitch-perfect prose and alive with detail, Bound Feet and Western Dress is the story of independent women struggling to emerge from centuries of customs and duty.
Writing about the economic collapse and social unrest of her 1970s childhood in Buffalo, New York, Laura Pedersen was struck by how things were finally improving in her beloved hometown.
But I did.My memoir Unbound Feet: Finding Freedom in Communist China chronicles this miraculous transformation.Teaching at an international university in Henan Province comes with perks and drawbacks.