Long unavailable, now in paperback for the first time, these are the brilliant, subtle, illuminating letters of one of the great poets of the twentieth century. Stevens's famous criterion for poetry--"It should give pleasure"--informed his epistolary aesthetic as well; these letters stimulate one's appetite for poetry as they valorize the imagination and the senses. They also offer fascinating glimpses of Stevens as family man, insurance executive, connoisseur, and friend. FROM THE BOOK:"Next to the passion flower I love fuchsias, and no kidding. . . . Down among the Pennsylvania Germans there was a race of young men . . . who carved willow fans. These men would take a bit of willow stick about a foot long, peel it and with nothing more than a jackknife carve it into something that looked like a souvenir of Queen Anne's lingerie. The trouble that someone took to invent fuchsias makes me think of these willow fans. However it is a dark and dreary day today and who am I to be frivolous under such circumstances."--from a letter to Wilson Taylor, August 20, 1947 Long unavailable, now in paperback for the first time, these are the brilliant, subtle, illuminating letters of one of the great poets of the twentieth century. Stevens's famous criterion for poetry--"It should give pleasure"--informed his epistolary aesthetic as well; these letters stimulate one's appetite for poetry as they valorize the imagination and the senses. They also offer fascinating glimpses of Stevens as family man, insurance executive, connoisseur, and friend. FROM THE BOOK:"Next to the passion flower I love fuchsias, and no kidding. . . . Down among the Pennsylvania Germans there was a race of young men . . . who carved willow fans. These men would take a bit of willow stick about a foot long, peel it and with nothing more than a jackknife carve it into something that looked like a souvenir of Queen Anne's lingerie. The trouble that someone took to invent fuchsias makes me think of these willow fans. However it is a dark and dreary day today and who am I to be frivolous under such circumstances."--from a letter to Wilson Taylor, August 20, 1947
Here are all of Stevens’s published books of poetry, side-by-side for the first time with the haunting lyrics of his later years and early work that traces the development of his art.
Collects the letters of Wallace Stevens to his wife Elsie as they moved through their relationship as friends, to fiancâes, to husband and wife.
"The Collected Poems" is the one volume that Stevens intented to contain all the poems he wished to preserve, presented in the way he wanted.
The letter from Jose Rodriguez Feo that prompted Stevens's poem was the third in a ten-year correspondence (1944-54) between the poet and the young Cuban, who quickly became Stevens's "most...
In Wallace Stevens: A Poet’s Growth, George S. Lensing examines Stevens’ gradual emergence and development as a poet, tracing his life from his formative years in Pennsylvania to his careers as a lawyer for the Hartford Accident and ...
This essential volume for all readers of poetry reminds us of Stevens’s nearly unparalleled contribution to the art form and his unending ability to puzzle, fascinate, and delight us. From the Hardcover edition.
Biographer and poet Paul Mariani’s The Whole Harmonium “is an excellent, superb, thrilling story of a mind….unpacking poems in language that is nearly as eloquent as the poet’s, and as clear as faithfulness allows” (The New ...
This book is an invitation to read poetry. Simon Critchley argues that poetry enlarges life with a range of observation, power of expression and attention to language that eclipses any other medium.
Wallace Stevens: The later years, 1923-1955
Wallace Stevens: Poetry as Life delves into every phase of Stevens' life--from his childhood in Pennsylvania, his years at Harvard, and his short stay in New York to his life-long...