Crown Point Press in San Francisco, founded in 1962 by Kathan Brown, is a world-renowned center of contemporary printmaking. It has published work by such major figures as Richard Diebenkorn, Helen Frankenthaler, Sol LeWitt, and Wayne Thiebaud, while bringing to attention prints by many younger artists, including April Gornik, Anish Kapoor, Eric Fischl, and Francesco Clemente. Crown Point Press is known for presenting social and political issues in a range of printmaking media, from hard- and soft-ground etching to drypoint, aquatint, and mezzotint. The Fine Arts Museums of San Francisco acquired the Crown Point Press archive in 1991. This collection of nearly 800 works contains one impression of every print the Press has ever produced. Also included are over 2000 working proofs and preparatory sketches. Now, in collaboration with the National Gallery of Art, the Fine Arts Museums of San Francisco has organized an exhibition of these distinctive prints. Chronicling Crown Point Press's dedication to artistic quality and commitment to innovation in printmaking technique and subject matter, this book also presents Kathan Brown's notable contributions in transforming the printmaking landscape of the twentieth century. Published in association with The Fine Arts Museums of San Francisco
"Exhibition dates, National Gallery of Art, September 1, 2013-January 5, 2014, McNay Art Museum, San Antonio, January 28 through May 17, 2015."
Cultural Writing. Art. Essays. MAGICAL SECRETS ABOUT THINKING CREATIVELY: THE ART OF ETCHING AND THE TRUTH OF LIFE by Kathan Brown is a new volume in the Magical Secrets series...
Based on Crown Point's 1997 museum exhibitions in San Francisco and Washington D.C. and on Ink, Paper, Metal, Wood: Painters and Sculptors at Crown Point Press, published by Chronicle Books, 1996.
A must-have for anyone interested in the art of printmaking, "Ink, Paper, Metal, Wood" presents the greatest prints to emerge from Crown Point Press, one of the top fine-art presses...
LeWitt likened his wall drawing practice to an ancient Japanese tradition in which a Shinto shrine is rebuilt every ... 1992; and “Sol LeWitt: Twenty- five Years of Wall Drawings, 1968–1993,” Addison Gallery of American Art, Andover, ...
Williams College Museum of Art ; Boston : Museum of Fine Arts , 1984 . Archer , David , et al . British Printmakers 1855-1955 : A Century of Printmaking from the Etching Revival to St. Ives . Wiltshire , Eng .: Garton & Co. in ...
"Published on the occasion of the exhibition Wayne Thiebaud: 1958/1968, organized and presented by the Jan Shrem and Maria Manetti Shrem Museum of Art, January 16/May 14, 2018."--Copyright page.
“Begin Again is a much more nuanced picture of Cage's personal life than has currently been avail- able . . . What emerges most powerfully is Cage's enormous capacity for work, together with his excep“Not just an exemplary biography, ...
This book comprises fifteen articles that investigate what images do, particularly in relation to the disciplines of architecture, design and visual arts.
This timely reexamination of the experimental New York print studio Atelier 17 focuses on the women whose work defied gender norms through novel aesthetic forms and techniques.