In 1970 Robert Smithson (1938-1973), one of the most innovative and provocative artists of the twentieth century, created the landmark earthwork Spiral Jetty at Rozel Point on Utah's Great Salt Lake. This dramatic and highly influential work forms a coil 1,500 feet long and 15 feet wide and stretches out counterclockwise into the lake's translucent red water. Composed of black basalt rocks and earth, the sculpture comprises the materials of its location: mud, salt crystals, rocks, water.
The contributors to this comprehensive publication consider the sculpture in relation to its eponymous companions--a text work and a film. These essays situate this renowned series of works alongside Smithson's critical writings, proposals, drawings, sources, and models. Amply illustrated with archival and new photographs of the Jetty and many comparative illustrations, this book makes evident why Smithson's art and writings have had such a powerful impact on art and art theory for over thirty years. In 1970 Robert Smithson (1938-1973), one of the most innovative and provocative artists of the twentieth century, created the landmark earthwork Spiral Jetty at Rozel Point on Utah's Great Salt Lake. This dramatic and highly influential work forms a coil 1,500 feet long and 15 feet wide and stretches out counterclockwise into the lake's translucent red water. Composed of black basalt rocks and earth, the sculpture comprises the materials of its location: mud, salt crystals, rocks, water.
The contributors to this comprehensive publication consider the sculpture in relation to its eponymous companions--a text work and a film. These essays situate this renowned series of works alongside Smithson's critical writings, proposals, drawings, sources, and models. Amply illustrated with archival and new photographs of the Jetty and many comparative illustrations, this book makes evident why Smithson's art and writings have had such a powerful impact on art and art theory for over thirty years.
Instead they stressed a neoclassical formalism , and T. E. Hulme , who exerted great influence on all three , was drawn to the “ abstract ” philosophy of Wilhelm Worringer . After World War II , when fascistic motives were revealed ...
This book brings together a complete selection of archival material related to the work - ranging from photographs, film scripts and drawings to original manuscripts and letters - spread over different archives in the Netherlands and the US ...
Artwork by Robert Smithson. Text by Vicki Goldberg, Carlo Frua.
In 1968 Smithson complicated and combined his site/nonsite work and his concern with the abyss in the Cayuga Salt Mine Project that he made for an “Earth Art” exhibition at Cornell University. He chose as the site pole of the work a ...
Publisher Description
Catalogue printed on the occasion of the exhibition 'Robert Smithson in Texas' at the Dallas Museum of Art, November 24, 2013 - April 27, 2014
Hamburger Heaven prepares sport on the jelly - tart , according to blitzed theology . Wailing gives way to numb limbs and roots , before the declining Inquisitor . Flayed icons are painted with tar by the Great Master Painter from the ...
Offering a critical analysis of Smithson's view of time, it provides comprehensive case studies of three of his most influential projects: "The Monuments of Passaic," a sardonic tour of a decaying New Jersey city conducted in the wake of ...
“The Crystal Land,” Harper's Bazaar, May 1966, pp. 72–73, reprinted in Smithson 1996, pp. 7–9 [Smithson 1966b]. ———, “Entropy and the New Monuments,” Artforum 4, no. 10 (June 1966), pp. 26–31, reprinted in Smithson 1996, pp.
"There have been other exhibitions of his works, but Robert Smithson: Photo Works is the first to examine his use of the camera and to present the way he saw...