Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell, he went on to question the field's conventions in vivid projects that excised holes into existing buildings or assembled deeds to New York City alleys and curbs. As the son of the Chilean-born Surrealist painter Roberto Matta and Anne Clark, and godson of Marcel Duchamp, with whom he played a regular game of chess in the Village, Matta-Clark had grown up inside the art world, also working an as assistant to mavericks like Dennis Oppenheim and Robert Smithson. His work and words, while sophisticated enough to make him an "artist's artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. He addressed not only space and real estate (in other words, housing), but the ultimate in necessity and nourishment, food. His "Pig Roast" under the Brooklyn Bridge offered passersby 500 pork sandwiches, and Food, the artist-staffed restaurant that he opened with dancer Caroline Goodden in SoHo, became a headquarters for that nascent neighborhood in the early 70s. He consistently broke the boundaries between sculpture and architecture, photography and film, performance and installation, and above all the permanent and the transitory. Once in a while he also broke the law. This book, published in celebration of the gradual opening of Matta-Clark's archives at the Canadian Centre for Architecture in Montreal, collects previously unavailable writings, including notecards and notebooks, along with interviews and more than 100 illustrations.
This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture.
Yet the Brazilian connection recorded by Montaigne is significant, for it helps to explain why Matta-Clark was interested in anthropophagy in the first place, and why he felt that Lee Jaffe should be “the chosen one.
Combining elements of Surrealist automatic drawing with an interest in choreography, these works appealed to performance artists at the time—including Laurie Anderson and Trisha Brown.
This comprehensive book incorporates important new information from the Matta-Clark archive, presenting a compelling reappraisal of the unique beauty and radical nature of Matta-Clark's punnings, plans, performances, and interventions ...
" Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations.
"This book unpacks the comprehensive Gordon Matta-Clark collection at the CCA, opening it up to provisional readings from different points of view.
Gordon Matta-Clark, scion and rebel, died at 35 in 1978 and has since become a cult figure of late-twentieth-century art. Born in New York and trained in architecture at Cornell,...
This book is a monograph on the legendary American artist Gordon Matta-Clark (1943-1978), considered one of the most important artists of the second half of the twentieth century.Born in New...
Gordon Matta-Clark: Moment to Moment offers a comprehensive overview of this courageous and liberating artist with a wealth of documentation and reproductions from across Matta-Clark's oeuvre, as well as critical commentary from Philip ...
In the summer of 1973, artist Gordon Matta-Clark discovered that the city of New York occasionally auctioned improbably tiny and frequently inaccessible parcels of land created by zoning eccentricities. Fascinated...