The Symbolist art movement of the late nineteenth century forms an important bridge between Impressionism and Modernism. But because Symbolism, more than the two movements it links, emphasizes ideas over objects and events, it has suffered from vague and conflicting definitions. In Symbolist Art in Context, Michelle Facos offers a clearly written, comprehensive, and accessible description of this challenging subject. Reaching back into Romanticism for Symbolism's origins, Facos argues that Symbolism enabled artists (including Munch and Gauguin) to confront an increasingly uncertain and complex world—one to which pessimists responded with themes of decadence and degeneration and optimists with idealism and reform.
But because Symbolism emphasizes ideas over objects and events, it has suffered from conflicting definitions. In this book, Michelle Facos offers a comprehensive description of this challenging subject.
The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism.
Presents the development and the aesthetic theories of the symbolist movement in art and literature
"Modern Gauguin studies—complex interpretations of the works based on the identification of the artist's sources in ancient sacred art from around the world—began in the early 1950s with the pioneering research of Bernard Dorival and ...
In A Forest of Symbols, Andrei Pop presents a groundbreaking reassessment of those writers and artists in the late nineteenth century associated with the Symbolist movement.
A. Kruchonykh and V. Khlebnikov, “From The Word as Such,” in Russian Futurism Through Its Manifestoes, Lawton and Eagle, eds. (Ithaca, N.Y.: Cornell University Press, 1998), 61–62. 23. Kukovnikov (Remizov), “Manuscripts and Drawings of ...
The first major exhibition to explore the influence of the Symbolist movement on Australian art at the turn of the 19th century. Rather than representing the real world, Symbolist artists...
Symbolism appeared in France and Europe between the 1880s and the beginning of the 20th century.
"Art historian Patricia Mathews examines the artistic, social, and scientific discourses of fin-de-siecle France.
The essays in this wide-ranging text capture the theoretical range and scholarly rigor of criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art.