In this groundbreaking book, James Cahill significantly expands the field of Chinese pictorial art history with the first scholarly account of paintings for "use and pleasure." These functional, so-called vernacular works were produced by professional urban artists for affluent patrons, from the end of the Ming through the Qianlong period-the seventeenth and eighteenth centuries. Traditional Chinese collectors disparaged these works, which were intended as decorations or produced to mark a special occasion, and favored the "literati" paintings of upper-class amateurs. But today the often stunning vernacular images add a strong visual dimension to our understanding of High Qing culture. They bring to light the Qing or Manchu emperors' fascination with erotic culture in the thriving cities of the Yangtze Delta and revise our understanding of gender roles. They demonstrate the growth of figure painting within and around Beijing's imperial court and show that Chinese artists made important use of European styles. Pictures for Use and Pleasure introduces a rich corpus of works, long ignored in the studies of the period's art, and opens new windows on later Chinese life and society.
On Daoism under the ]in, see Yao Tao~chung 1995. See Yao Tao-chung 1986: 204-5. . See Waley 1931: 101 and Iagchid ... A painting fragment in the State Hermitage Museum, St. Petersburg, perhaps shows a similar scene. Samosyuk 2006: 376.
Presents a collection of art and personal stories taken from the author's Web site in which participants respond to a variety of artistic assignments, including "Take a flash photo under your bed," "Write your life story in less than a day, ...
"Contextual in approch, this text draws on socio-economic and political studies as well as histories of religion, science, literature, and popular culture, and explores the diverse, conflicted history of American art and architecture.
Gary Willis 1972-1982: diary of a dead beat modern art type.
The Painter's Tongue: The Life of an Artist
Kunst und Befreiung
"In tracing the lifelong friendship and intersecting careers of Ufer and Hennings, the contributors to this volume explore the social and artistic implications of the artists' German heritage and training."--Book cover flap.
Deep storage - Arsenale der Erinnerung: Sammeln, Speichern, Archivieren in der Kunst ; [anläßlich der Ausstellung "Deep Storage - Arsenale...
Artworkers
An absorbing discussion of the myriad depictions of the indigenous people of Mexico and Peru in colonial times