In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as “the end of history.” Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if ”perhaps pop had been biding its time until 1989 came along to make sense of its sensibility.” His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how “history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being.”
Surgeon's Call
It also prompted a spoof in Sheb Woolley's ' Don't Go Near The Eskimos ' Dave Davies maintained that this simultaneously universal and personal opus “ was a gesture : ' Leave me alone . I'm not a performing seal .
I had been invited as special guest on a Jerry Douglas Christmas tour, wryly titled “Jerry Christmas.” It was an honor and a challenge for me to play with Jerry and his band of high-level musicians. But for Aimee and Tanner it was a ...
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Explains terms and slang relating to American popular music, discusses its various musical styles, and surveys the careers of important figures in popular music
Marc Bolan was the very first superstar of the 1970s. As the seductive focus of T. Rex he revelled in fame and fortune, released a string of classic records before...
We All Want to Change the World provides a cogent and fascinating evaluation of post-World War II American commercial music and its complex, multi-faceted impact on the world of politics....
"Money for Nothing begins with the earliest days of the music video, when Hollywood musicals, experimental animated films, Soundies, and Scopitones fused music and image in ways that would presage...
Dancing in the Dark