In this striking study of the pre–Civil War literary imagination, Karen Sánchez-Eppler charts how bodily difference came to be recognized as a central problem for both political and literary expression. Her readings of sentimental anti-slavery fiction, slave narratives, and the lyric poetry of Walt Whitman and Emily Dickinson demonstrate how these texts participated in producing a new model of personhood—one in which the racially distinct and physically constrained slave body converged alongside the sexually distinct and domestically circumscribed female body. Moving from the public domain of abolitionist politics to the privacy of lyric poetry, Sánchez-Eppler argues that attention to the physical body blurs the boundaries between public and private. Drawing analogies between black and female bodies, feminist-abolitionists use the public sphere of anti-slavery politics to write about sexual desires and anxieties they cannot voice directly. However, Sánchez-Eppler warns against exaggerating the positive links between literature and politics. She finds that the relationships between feminism and abolitionism reveal patterns of exploitation, appropriation, and displacement of the black body that acknowledge the difficulties in embracing “difference” in the nineteenth century as in the twentieth. Her insightful examination of these issues makes a distinctive mark within American literary and cultural studies. This title is part of UC Press’s Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
less said touching Liberty's arm. Liberty could feel Iess's eyes burning into her, wishing her to tell but Liberty didn't want to discuss the dangers of their journey just yet. But all the others were staring at her as if she had a wart ...
To read an interview with the author about the book on Patheos.com, see here: http://www.patheos.com/blogs/jesuscreed/2015/01/10/under-locke-and-key/
This volume brings together cutting-edge research on modern Spanish women as writers, activists, and embodiments of cultural change, and simultaneously honors Maryellen Bieder’s invaluable scholarly contribution to the field.
The forgotten orphans in Melville's Moby-Dick and Israel Potter, the rebellious slaves in the work of Frederick Douglass and William Wells Brown, the citizens afflicted with amnesia in Lincoln's speeches, and the dispossessed sons in slave ...
Karen Halttunen argues that “ death had come to preoccupy sentimentalists , who cherished it as the occasion for two of the deepest ' right feelings ' in human experience : bereavement , or direct mourning for the dead , and sympathy ...
For much of the first decade of his work as a public antislavery speaker and advocate, Douglass stuck to the Garrisonian line, often arguing that the Constitution should be condemned as a proslavery document. Then, with little warning, ...