Before he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party—John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s, with several hits to his credit including Blockade, Sahara, and Action in the North Atlantic. After his infamous, almost violent, 1947 hearing before the House Un-American Activities Committee, Lawson spent time in prison and his lucrative career was effectively over. Studded with anecdotes and based on previously untapped archives, this first biography of Lawson brings alive his era and features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and many others. Lawson's life becomes a prism through which we gain a clearer perspective on the evolution and machinations of McCarthyism and anti-Semitism in the United States, on the influence of the left on Hollywood, and on a fascinating man whose radicalism served as a foil for launching the political careers of two Presidents: Richard Nixon and Ronald Reagan. In vivid, marvelously detailed prose, Final Victim of the Blacklist restores this major figure to his rightful place in history as it recounts one of the most captivating episodes in twentieth century cinema and politics.
Foster, History of the Communist Party, 290–91; Glazer, Social Basis of American Communism, 172. In 1936 Ford was nominated a second time as the CPUSA's vice-presidential candidate, this time teaming with Foster's rival, Earl Browder.
... 64, 65; Richard E. Caves, Creative Industries: Contracts between Art and Commerce (Cambridge: Harvard University Press, ... Hollywood Reporter, Oct. 1, 1930, 1; Clifford Howard, “Writers and Pictures,” Close Up (September 1928), 38.
A brilliant, interdisciplinary examination, this is a work that will appeal to a broad spectrum of readers.
“Film Criticism, the Cold War, and the Blacklist.” Cineaste 40, no. 4 (Fall 2015): 75–77. Review of the development and influence of film criticism during the Cold War, by Jeff Smith. “The Screen Is Red: Hollywood, Communism, ...
Washington Post columnist Drew Pearson reported that President Truman had ordered a review of all of Forrestal's recent reports, recommendations, and decisions, wanting to ascertain whether he had “gone mad under the pressure of Cold ...
The difficulty related to the performers and especially to Madeleine Carroll's personality and manner as an actress.... [I]t was hard for her to express the woman's feelings.... [I discussed] a scene with her at length and the speech in ...
Here is a quote from Gerald Horne's book on John Howard Lawson, The Final Victim of the Blacklist (2006: 232): ...this question of communism was inseparable from the question of Jewishness, an equation that met neatly in the person of ...
In I Call Myself an Artist: Writings By and About Charles Johnson, edited by Rudolph P. Byrd, 193–99. Bloomington, IN: Indiana University Press, 1999. ———. “Review of Dinesh D'Souza's The End of Racism: Principles for a Multiracial ...
... by the Securitate. Despite its extreme control, Ceausescu's regime produced one of the most spectacular defections of the Cold War. ... Ceausescu and the Securitate: Coercion and Dissent in Romania, 1965–1989. London: Hurst, 1995.
26. Among the sports reels then in production were Sports Parade (Warner), Sportscope (RKO-Pathé), Sports Review (Fox), and World of Sports (Columbia). 27. “How About a Little Game?” 71. 28. Richard Meran Barsam, “This Is America: ...