At the turn of the past century, the main function of a newspaper was to offer “menus” by which readers could make sense of modern life and imagine how to order their daily lives. Among those menus in the mid-1910s were several that mediated the interests of movie manufacturers, distributors, exhibitors, and the rapidly expanding audience of fans. This writing about the movies arguably played a crucial role in the emergence of American popular film culture, negotiating among national, regional, and local interests to shape fans’ ephemeral experience of moviegoing, their repeated encounters with the fantasy worlds of “movieland,” and their attractions to certain stories and stars. Moreover, many of these weekend pages, daily columns, and film reviews were written and consumed by women, including one teenage girl who compiled a rare surviving set of scrapbooks. Based on extensive original research, Menus for Movieland substantially revises what moviegoing meant in the transition to what we now think of as Hollywood.
Leslie Midkiff DeBauche, Reel Patriotism: The Movies and World War I (Madison: University of Wisconsin Press, 1997), 137. The story has a rich young man enlist in the Marines and, as a result of the war, overcome his prejudices against ...
Cinema Beyond the City: Small-Town and Rural Film Culture in Europe. London: Palgrave/British Film Institute (pp. 117–129). Joyner, C. (2004) “From Here to There and Back Again.” In J.B. Boles (ed.) Shapers of Southern History: ...
Abel supplements the texts with hard-to-find biographical information and provides context on the newspapers and silent-era movie industry as well as on the professionals and films highlighted by these writers.
... The Great Gun of the Lantern (2017) as two recent examples for British screen history.34 This study is narrower in its focus on specific series of lantern slides, how they were produced and who distributed and exhibited them.
... ( Menus for Movieland , 4 ) 24. Richard Abel , ed . , Movie Mavens : US Newspaper Women Take on the Movies , 1914– 1923 ( Urbana : University of Illinois Press , 2021 ) , 15 , 67 , 70–71 . Note that a recent article by Mandy Merck ...
1. This book is a fascinating look at how early cinema and moving images inspired and were inspired by other more static forms of visual culture, such as painting, photography, and tableaux vivants.
... Mary Kinhan, Anne L. Lambert, Mildred Lamson, Marilyn B. Lundy, Alice O'Leary, Margaret Showalter, Nancy Spencer, ... Blache Screen Service (San Francisco), 1922–1941 Director: Maurice Blache; Sales Director: William F. Thomas; ...
“ 'The First Born' (1897): A Cultural, Historical, and Literary Study of Francis Powers and David Belasco's Unpublished Drama of ... In Media, Popular Culture, and the American Century, edited by Kingsley Bolton and Jan Olsson, 35–61.
... Menus for Movieland : Newspapers and the Emergence of American Film Culture , 1913–1916 ( Berkeley : University of California Press , 2015 ) , 64-72 . 2. The Northwest Weekly's first issue may have appeared as early as April or May 1915 ...
... Menus for Movieland: Newspapers and the Emergence of American Film Culture, 1913–1916 (Oakland: University of California Press, 2015), 162. 55. Schallert, “Hollywood's Great Romance,” 55. 56. Donnell, “Lessons in Love,” August 1929, 18 ...