Professor Kimbell's classic study illuminates the first fifteen years of Verdi's composing career, the era that culminated in his trio of masterpieces, Rigoletto, Il Trovatore and La Traviata. Verdi had become an acknowledged master of the peculiar brand of Romanticism that flourished in Italy in the 1830s and 40s; this background is examined in its political, social and literary light, and his consequent transformation of Italian operatic conventions is analysed. The four parts of Professor Kimbell's book range over biographical, documentary, literary and close-analytical ground. Attention is given to individual operas in order to show how Verdi assimilated and developed the Romantic tradition in his work.
Günter Engler, Über Verdi: Von Freunden und Gegnern, Musikern und Schriffstellern – Eine Anthologie. Mercede Mundula, La moglie di Verdi: Giuseppina Strepponi. Alessandro Luzio, Carteggi verdiani. Elena Cazzulani, Giuseppina Strepponi: ...
Kimbell, Verdi in the Age of Italian Romanticism, 214–19. 8. Letter of February 3, 1814, to Byron; in Rutherford, ed., Byron: The Critical Heritage, 69. 9. Elfenbein, Byron and the Victorians, ...
Both musicologists and serious opera buffs will enjoy this distinguished collection.
''The Italian Romantics and Madame de Stae ̈l: Art, Society and Nationhood.'' Rivista di Letterature Moderne e Comparate, 50 (4): 355-60. Kimbell, David R. B. (1981). Verdi in the Age of Italian Romanticism.
Chicago : R.R. Donnelly , 1929 . ... Hamenachem , Miriam S. Charles Nodier : Essai sur l'imagination mythique . ... though it is not the national or Messianistic kind of Romanticism characteristic of Adam Mickiewicz .
For thirty years the opera-house was the principal focus of his creative work and he composed more than forty operas over this period. In this book, David Kimbell sets Handel's operas in their biographical and cultural contexts.
This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.
Emilia Goggi, the first Azucena. Stride la vampa, bars 89–94. La mano convulsa stendo, bars 107–111. Sul capo mio le chiome, bars 154–158. Opera and Bernadette Australia Cullen Il trovatore; as Azucena. photo Branco Gaica.
A. Rutherford, quoted in David Kimbell, Verdi in the Age of Italian Romanticism (Cambridge: Cambridge University Press, 1981), p. 12. Kimbell, Verdi in the Age of Italian Romanticism, p. 16ff. Morse Peckham,Romanticism and ...
Here, then, is Verdi's artistic credo, echoed in so many letters written, throughout his career, to his librettists. ... 80 In a book which he shrewdly entitles Verdi in the Age of Italian Romanticism (Cambridge: Cambridge Univ.