Publisher Description
Charles Bernstein's assessment of Charles Olson began with the publication of the essay “Undone Business” in 1984 (Bernstein 1986), which critically notes the lack of gender coequality in that cultural zone. “Women's voices—by which I ...
" A second procedural principle is "the fold." This is the reconsideration of a "donor draft" and the deployment of some aspect in the donor draft in a related draft.
In “The Second War and Postmodern Memory” Charles Bernstein follows the implications of Adorno's critique of the Enlightenment values embodied in claims for European social and intellectual systems: the “war undermined, subliminally, ...
In this book the poets, editors, writers, composers, and teachers who knew the couple consider their encounters and relationships with George and Mary Oppen.
'Let us meet it where we stand,' these poems declare, and 'enter the darkness mindfully.' The great gift of this book is that it makes such high hopes seem possible."—Brian Teare
The Pink Guitar is a landmark study of women's writing and poetics—and representations of women artists—in the 20th Century.
Ress, Lisa. “From Futurism to Feminism: The Poetry of Mina Loy.” In Gender, Culture, and the Arts: Women, the Arts, and Society, edited by Ronald Dotterer and Susan Bowers, 115–27. London: Associated University Presses, 1993.
This essay is from material left over from DuPlessis's Genders, Races, and Religious Cultures in Modern American Poetry, 1908–1934, and it also propounds her theory ofa “social philology of words.” Clausen, “The Speed of Poetry,” 24; ...
Genders, Races, and Religious Culture in Modern American Poetry, 1908–1934. New York: Cambridge University Press. Pound, Ezra. 1934. ABC of Reading. New Haven, CT: Yale University Press. Krauss, Rosalind. 1985.
And while that powerful image—especially when it is framed as one of many “masquerades” (19)—suggests the loneliness and ... “First Caprice in North Cambridge,” the “sordid patience” of slum dwellers, with hands—not even people but ...