Art and the Roman Viewer presents a fresh analysis of a major intellectual problem in the history of art: why did the arts of Late Antiquity move away from classical naturalism towards spiritual abstraction? Arguing from a close examination of ancient art images and texts, Jas Elsner shows how an understanding of Roman viewing practices greatly deepens our insight into this fundamental transformation. The sophisticated arts of the early empire, such as Pompeian painting, sculpted reliefs and silverware, entertain the potential for irony, parody, and deconstruction. By contrast, the symbolic arts of the Christian empire, notably the mosaics of Ravenna, eschew irony, while complexity remains, indeed intensifies, as multiple meanings compete to enrich a fundamentally sacred truth. By addressing the subtleties inherent in ancient viewing, this study embarks on a quest to enrich our understanding of an era of profound artistic change.
In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire.
What did they intend to convey about themselves when they commissioned art? And how did they use imagery in their own tombstones and houses? These are among the questions John R. Clarke answers in his fascinating new book.
This is a collection of specially commissioned essays exploring the interface between words and images in the Roman world.
A beautifully illustrated, new edition of the best single-volume guide to Roman and early Christian art. Provides an introduction to the great diversity of artistic styles during the period, and their context.
This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies.
... and how to think about it now in light of new scholarship and conceptual frameworks . Many illustrations , maps , a timeline , and an index enhance the content . Woolf , Greg , ed . Cambridge Illustrated History of the Roman World .
A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.
This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images.
Offers comprehensive and original essays on the study of Roman art Contributions from distinguished scholars with unrivalled expertise covering a broad range of international approaches Focuses on the socio-historical aspects of Roman art, ...
Emma Scioli examines these varied and visually striking textual dreamscapes, arguing that the poets exploited dynamics of visual representation to share with readers the intensely personal experience of dreaming.