Provides a survey of literary gothicism from its origins in Renaissance revenge tragedy, through eighteenth century novels and plays, to nineteenth and twentieth century film and fiction.
In A History of the American Theatre from Its Origins to 1832, he describes the success of his translations from the German Romantic playwright Kotzebue's Gothic dramas. His own verse drama Fountainville Abbey (1795) was based on Ann ...
This Companion explores the Gothic across literature, film, television, and cyberspace, revealing how it has proliferated since 1900 as an expression of modernity.
Cambridge Companion to Gothic Fiction
An overview of popular literature from the early nineteenth century to the present day from a historical and comparative perspective.
In this volume, critics and authors of fantasy look at its history since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy, and examine some of the many varieties and subgenres ...
The contributors to this volume represent the most up-to-date directions in scholarship, charting the ways in which the period's social, political and intellectual redefinitions created new fictional subjects, forms and audiences.
In the past twenty years our understanding of the novel's emergence in eighteenth-century Britain has drastically changed.
Gay and queer vampires have followed suit, appearing predominantly in visual media in either supporting roles, as in TV shows The Vampire Diaries (2009–) or True Blood, or even as main cast members, as in The Lair (2007–9).
In The Rise of the Gothic Novel, Maggie Kilgour argues that the ghost of the gothic is now resurrected in the critical methodologies which investigate it for the revelation of buried cultural secrets.
This invaluable volume is complemented by a chronology, a guide to further reading and a select filmography.