'Magical', 'out of this world', 'an experience you'll never forget': Peter Weir's films have enthralled audiences around the globe. Whether in iconic Australian works such as Picnic at Hanging Rock and Gallipoli or international mainstream thrillers such as Witness, Weir has deliberately created mystical movie experiences. Modern cinema studies is used to dissecting films on the basis of gender, class or race: now, for the first time, Richard Leonard shows that a mystical gaze also exists and is exercised in the secular multiplex temples of today. The Mystical Gaze of the Cinema is a meticulous and accessible book that uses a psychoanalytic approach incorporating the insights of Jung, film theory and theology to break new ground in what continues to be a hot topic in cinema studies: the spectator/screen relationship. Leonard provides a fresh and innovative perspective on what happens when we behold a film.
This gap within our look marks the point at which our desire manifests itself in what we see. What is irreducible to our visual field is the way that our desire distorts that field, and this distortion makes itself felt through the gaze ...
This is a study of the "returned gaze" from the cinema screen, demonstrating that the films that we watch watch us, guide us, control our gaze, and enforce societal codes.
"... will add much to the repertoire of film scholarship.
... The Mystical Gaze of the Cinema: The Films of Peter Weir. Austrilia: Melbourne UP, 2009. Levi, Pavle. Cinema By Other Means. NY: Oxford UP, 2012. Levin, David J. “Taking Liberties with Liberties Taken: On the Politics of Helke Sander's ...
This book explores its transformative potential historically across myriad cultures, particularly in relation to its ritual and mythmaking capacities, and its intersection with power, ideology and identity.
The first English translation of a preeminent analysis of early German film
... Il tempo , 23 May 1981 , p . 10 . “ La pelle . " Il tempo , 2 October 1981 , p . 10 . “ Trote per Losey sequestri d ... sentiero di Liliana Cavani . ” L'umanità , 29 October 1977 , p . 5 . Rosenbaum , Jonathan . “ Portiere di notte ...
La Manuela dances to a wordless Spanish song [sic]27 ([performed] by Los Churumbeles de España) titled “La Leyenda del Beso”, . . . based on the myth of the sleeping princess awakened by a prince's kiss. Manuel added the words and ...
They were also to the fore in Joseph Losey's 1975 American Theatre version of John Osborne's play, Galileo, Topol in the central role, an inquisition Cardinal, Edward Fox, the theologian Cardinal (later canonised) Robert Bellarmine, ...
And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity.