An intimate portrait of a marriage intertwined with a meditation on reality TV that reveals surprising connections and the meaning of an authentic life. A VINTAGE ORIGINAL. In Lucas Mann's trademark vein--fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating--Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of celebrity. Captive Audience resides at the intersection of popular culture with the personal; the exhibitionist impulse, with the schadenfreude of the vicarious, and in confronting some of our most suspect impulses achieves a heightened sense of what it means to live an authentic life and what it means to love a person.
Bachmann in Overdrive; Predicting a GOP Wave; Craigslist 'Censored, transcript of Anderson Cooper 360, aired on CNN on September 6, 2010, http://transcripts.cnn.com/TRANSCRIPTS/1009/06/acd.02.html. Q Gov. Arnold Schwarzenegger, Gov.
Prison and Captivity in Contemporary Theatre Thomas Fahy, Kimball King ... than on stage where a person can observe from the safe position of a voyeur the ethnic and lower class “other,” while refraining from actual contact with them.
Captive Audience
"Captive Audience is wonderful. These stories--understated, honest and always touching--limn the many small perils that await a young man today on his way to settling in the world. This is...
Captive Audience explores this compelling history of branding the classroom in Canada.
The first collection on this important topic, Captive Audience examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre.
Poetry. "Bob Perelman's writing covers a lot of (image) territory as fast as a speeding missile which may (almost) be fast enough. His new book, CAPTIVE AUDIENCE, finds us glued to our seats, laughing at death and the devil again.
This voyage of the cruise ship Jade Viking is anything but typical.
7 In their superb volume, Conducting Meaningful Interpretation, Ward and Wilkinson (2006) contrast two approaches to presenting the body of a thematic talk. They call them, respectively, the “theme/subtheme style” and the “narrative ...
This all-new collection examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre.