"In the shifting desert sands on the outskirts of a Middle Eastern city sits a mysterious Institute, where Fellows in every field of knowledge and endeavor under the (inhospitably hot) sun work on Projects and give Discourses(TM) and dedicate themselves to copying, cloning, replicating, and reproducing a world to which none of them seem to have any intention of returning. Same Same is Percy Frobisher's account of his tenure as a Fellow at the Institute, and his attempt to realize - or is it simulate? - his own audacious Project. Imagining a world in which simulacra have as much value as the real - so much so that any distinction between the two vanishes, and even language seeks to reproduce meaning through ever more degraded copies of itself"--Publisher's description.
Die Quelle der Furcht: Thriller
Riverwood es una apacible comunidad que Allison Davies, su propietaria, ha transformado en refugio para escritores y artistas.
A sparkling Victorian entertainment from the acclaimed author of FIXING SHADOWS: a timeless story of a naive young woman's attempt to find happiness in love.
"Published on the occasion of the exhibition Art Colony: The Laguna Beach Art Association, 1918-1935 held June 24, 2018-January 13, 2019 at Laguna Art Museum, Laguna Beach, California."
25 Color Reproductions, 7 Half Tones, 40 Pages examining the art and artists of the Laguna Beach Art Colony and comparing them to the Lyme Art Colony.
Lieutenant-Commander George Fagan Bradshaw RN, DSO, SMA (1887-1960), Submariner and Marine Artist, and the St Ives Society of Artists
Compares some of the paintings of Monet, Manet, Gauguin, Cezanne, Renoir, and others
Set in an artists' colony in Skagen in Denmark, 'Painted Ladies' is a story based on the actual lives of artists living and working there around the turn of the 20th century.
Northern Light: The Skagen Painters
In a continuation of conversations among artists surrounding the land, this book explores urbanization in a post-rural condition, the act of building as a collaborative process, and land as a concept that can exist outside of ownership.