The first female translator of the epic into English in over sixty years, Stephanie McCarter addresses accuracy in translation and its representation of women, gendered dynamics of power, and sexual violence in Ovid’s classic. A Penguin Classic Hardcover Ovid’s Metamorphoses is an epic poem, but one that upturns almost every convention. There is no main hero, no central conflict, and no sustained objective. What it is about (power, defiance, art, love, abuse, grief, rape, war, beauty, and so on) is as changeable as the beings that inhabit its pages. The sustained thread is power and how it transforms us, both those of us who have it and those of us who do not. For those who are brutalized and traumatized, transformation is often the outward manifestation of their trauma. A beautiful virgin is caught in the gaze of someone more powerful who rapes or tries to rape them, and they ultimately are turned into a tree or a lake or a stone or a bird. The victim’s objectification is clear: They are first a visual object, then a sexual object, and finally simply an object. Around 50 of the epic’s tales involve rape or attempted rape of women. Past translations have obscured or mitigated Ovid’s language so that rape appears to be consensual sex. Through her translation, McCarter considers the responsibility of handling sexual and social dynamics. Then why continue to read Ovid? McCarter proposes Ovid should be read because he gives us stories through which we can better explore ourselves and our world, and he illuminates problems that humans have been grappling with for millennia. Careful translation of rape and the body allows readers to see Ovid’s nuances clearly and to better appreciate how ideas about sexuality, beauty, and gender are constructed over time. This is especially important since so many of our own ideas about these phenomena are themselves undergoing rapid metamorphosis, and Ovid can help us see and understand this progression. The Metamorphoses holds up a kaleidoscopic lens to the modern world, one that offers us the opportunity to reflect on contemporary discussions about gender, sexuality, race, violence, art, and identity.
... Or if the secret ministry of frost Shall hang them up in silent icicles, ... A Noiseless Patient Spider A noiseless patient spider, I mark'd where on a ...
An anthology of some of the best English poems.
Combining journal entries, poetry and formal e-mails, these books celebrate the sights, sounds, flavors, (and the physical and mental strain), of crossing mountains, rolling landscapes, and unchanged rural villages, as well as vibrant ...
There are no Formal E-mails, no Definitions, no Autobiography or Research here. And because of all that it is not, this book completes those first two in the pilgrimage series in a gentle way.
Karen Freeman! Was born August 22, 1950 in Newark New Jersey. She had a “BRIGHT” daughter named Kira. She Married Warren W. C. Freeman March 1, 1998. They were married for 13 years and 20 days. She “PASSED-ON” March 21, 2011.
Winner of the Massachusetts Book Award "A terrific and sometimes terrifying collection—morally complex, rhythmic, tough-minded, and original." —Rosanna Warren, 2018 Barnard Women Poets Prize citation In a poetic voice at once accessible ...
O. D. Macrae Gibson points out that the function of pyȝt as a concatenating word stresses its capacity to mean both arrayed and set.8 Gordon glosses the word as varying in sense throughout the poem between “set,” “fixed,” and “adorned” ...
This riveting poetry collection is a fresh and witty account of thoughts and experiences that everyday people have in their day-to-day lives.
SELL. IT. SOMEWHERE. ELSE. Well, you can take your good looks somewhere else Cuz they're not for sale 'round here... I've heard about you and the things you do And I don't need you anywhere near. Yeah, I've met your kind a time or two ...
I was indeed fortunate in being able to recruit a pair of talented , conscientious , and unfailingly cheerful draftsmen in the persons of Julie Baker and Kathi Donahue ( now Sherwood ) to collaborate with my wife , Sally , in producing ...