One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.
prise, the band loved Robinson's rendition of their sound. “Catacombs” was the closest a producer had ever come to capturing At the Drive-In's live energy, and it earned him the gig. “We made a big change that day, and tasked Tony with ...
A love letter to over 750 record labels which produced political music as a medium for improving our communities and world.
Great Record Labels
... 67 Sims , Frankie Lee , 129 Sinatra , Frank , xvi Singleton , Shelby S. , 104 Singleton , Zutty , 43 Skillet Dick ... Roosevelt , 3 , 17 , 159 Tanner ' N ' Texas ( TNT ) label , xix Taylor , Cecil , xxi Taylor , Dennis , 14 Taylor ...
Ruth Schwartz resigned from her job at Rough Trade and soon started Mordam Records . Jeff Nelson reported that Dischord sells to about 40 stores direct but this is only 20 percent of sales . Another 5 percent are individual mail order ...
Suitable for all levels, this is a unique resource for students, artists, and recording and Mastering Engineers alike. Major Label Mastering is supplemented by digital resources including audio examples and video tutorials.
Collating more than 150 interviews, Independence Days traces the story of the UK independent record label boom from the late 1970s to the mid-1980s, a period which saw a new generation of independent spirits take up the baton and ...
In celebration of the 20th anniversary of Merge Records, founders Mac and Laura offer first-person accounts--with the help of their colleagues and Merge artists--of their work, their lives, and the culture of making music.
... Music in American Life, 140. 110. Mark Zwonitzer and Charles Hirshberg. Will You Miss Me When I'm Gone?: The Carter ... Popular Exclusive Victor Artist and National Listing for Record Number 21245, letter from Victor Talking Machine ...
Since the earliest music companies began at the end of the 19th century, many record labels have come and gone, been taken over or merged. Some have been owned by...