First, I show that the lyric, culturally understood as short verse written in the first person that reveals something of the psychological state of its speaker, occupied a uniquely valuable literary position in the context of New Left psychopolitics. As a result of the sense that poetry, following the Howl trial, might be a legal techne for plumbing and expressing the depths of one's consciousness, poetry became an essential literary form for the New Left.
In place of the traditional American notonof what the eminents&iologistdawid Riesman termed inner-directedness. Lynes real|zesavisonofidentityas alwaysfully relational. Notably, he gives pictorial form to this realization more thana ...
The entire book re-emphasizes the fact that one of Pound's major contributions to modern culture was his great ability to discover neglected and unknown genius, distinguishes originals from imitations, and opening new avenues in literature ...
Twenty-nine manuscripts offering fresh approaches to the teaching of literature and favorite classics.
The News and Other Poems is funny, remarkable, and profound. --Carol Muske-Dukes.
This volume collects the self-published edition of Poems, Williams's foray into the world of letters, with previously unpublished notes he made after spending nearly a year in Europe rethinking poetry and how to write it.
For any of us, what stays? James Crews writes of the love and lives that, whatever the loss or cost, we must hold and keep.
This concept directs these essays on poetry by contemporary poet Cole Swensen.
" 'Asphodel' celebrates unforgettably Williams' love for his wife Floss, (going) so far as to say, 'Death is not the end of it'...'Asphodel' strands impressively as the poet's personal credo, a late, long poem central to his entire work.
Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis?
In Losing the News, Pulitzer Prize-winning journalist Alex S. Jones offers a probing look at the epochal changes sweeping the media, changes which are eroding the core news that has been the essential food supply of our democracy.