Martin Scorsese's challenging and often controversial films are a record of the most personal achievement in modern American cinema. Mean Streets, Taxi Driver, Raging Bull, Gooodfellas--these titles conjure up a world and a style of filmmaking that he has made his own, one of a savage beauty of great intensity and truth. The interviews which make up this book chart the journey that Scorsese has taken across the years in search of new subjects to engage and absorb him, and in the process reveal a man who, like Michael Powell and Francios Truffaut, has an unbridled passion for film--a passion which is evident in every frame of his work. This new, revised edition includes chapters on Goodfellas, Cape Fear, The Age of Innocence, and other projects up to Casino, thus bringing up to date the story of America's most exciting and articulate contemporary filmmaker.
Scorsese on Scorsese
He finally took one of them—a Roger Corman exploitation picture called Boxcar Bertha —because he needed to direct again. “Corman thinks it's an exploitation picture,” Scorsese told me, “but I think it'll be something else.
Draws on intellectual interviews to assess the life and work of the iconic filmmaker, providing coverage of such topics as his youth in mid-20th-century Little Italy, his lesser-known films and his semi-autobiographical works.
It is as though movies answered an ancient quest for the common unconscious. They fulfill a spiritual need that people have to share a common memory.1 Thus concludes A Personal Journey with Martin Scorsese Through American Movies (1995) ...
Collected interviews with the man who has been called the greatest living American film director
In the one Robinson fight LaMotta won, they battle, the camera spins 360 degrees, then takes an abrupt push forward as Robinson is felled between the ropes. Things lurch into slow motion, then eases back to normal speed before an ...
New York : Miramax Books , 1997 . Scorsese on Scorsese . London : Faber and Faber , 1989 . Singer , Mark . " The Man Who Forgets Nothing . " New Yorker ( March 27 , 2000 ) : 90-103 . Smith , Steven C. A Heart at Fire's Center ...
... that Frank has simply reformulated his megalomaniac fantasy to include allowing some of his patients to die” (The Scorsese Psyche on Screen: Roots of Themes and Characters in the Films [Jefferson, NC: McFarland, 2004], 119– 20). 33.
Lesley Stern has written a daringly innovative book on the work of Martin Scorsese, the most important contemporary film-maker in North America.
In Martin Scorsese: A Biography, readers can examine not only the work of one of the form's genuine artists, but also the forces that have propelled the man behind it.