Conversations with Igor Stravinsky is the first of the celebrated series of conversation books in which Stravinsky, prompted by Robert Craft, reviewed his long and remarkable life. The composer brings the Imperial Russia of his childhood vividly into focus, at the same time scanning what were at the time the brave new horizons of Boulez and Stockhausen with extraordinary acuity. Stravinsky answers searching questions about his musical development and recalls his association with Diaghilev and the Russian Ballet. There are sympathetic and extraordinarily illuminating reminiscences of such composers as Debussy and Ravel ('the only musicians who immediately understood Le Sacre du Printemps'), while mischievous squibs are directed at others, most notably perhaps against Richard Strauss, all of whose operas Stravinsky wished 'to admit ... to whichever purgatory punishes triumphant banality'. The conversations are by no means confined to musical subjects, ranging uninhibitedly across all the arts: Stravinsky gives unforgettable sketches of Ibsen, Rodin, Proust, Giacometti, Dylan Thomas and T S Eliot. 'The conversations between Igor Stravinsky and Robert Craft are unique in musical history. The penetration of Craft's questions and the patience and detail of Stravinsky's answers combine to produce an intimate picture of a man who has sometimes puzzled, often delighted, and always intrigued ...' The Sunday Times
Conversations with Igor Stravinsky
The Conversations books are the only published writing attributed to Stravinsky that are actually "by him" in terms of fidelity to his thoughts and opinions, making this volume required reading for all fans and students of Stravinsky's ...
This is the final volume in the legendary series of Stravinsky's conversations with Robert Craft. In his foreword, dated March 1971 shortly before his death, Stravinsky wrote of his 'final...
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact.
Dialogues
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.
In Experiencing Stravinsky, music historian Robin Maconie takes a completely fresh approach to understanding the great composer’s works, explaining what makes Stravinsky’s “sound” unique and what we, as listeners, need to know in ...
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"Igor Stravinsky's return to Russia in 1962 was only one of his recent trips to the major countries of the world, and the acclaim and attention he received there--he conducted...