From one of our most iconic and influential writers: twelve pieces that offer an illuminating glimpse into the mind and process of a legendary figure. These essays from 1968 to 2000, which have not been gathered together until now, showcase Joan Didion's incisive reporting, her empathetic gaze, and her insights on writing. They touch on subjects ranging from newspapers ("the problem is not so much whether one trusts the news as whether one finds it"), to the fantasy of San Simeon, to not getting into Stanford. In "On Being Unchosen by the College of One's Choice," Didion ponders the fraught parent/child dilemma: "I wonder if we had better not find some way ... to extricate our expectations from theirs...to let them work through their own rejections." From her admiration for Hemingway's sentences to her acknowledgement that Martha Stewart's story is one "that has historically encouraged women in this country, even as it has threatened men," these pieces are acutely and brilliantly observed. This timeless collection of Didion's mostly early writing reveals what would become her subjects, including the press, politics, California robber barons, women, the act of writing, and her own self-doubt. Each piece is classic Didion: incisive, bemused, and stunningly prescient--From dust jacket.
ossession:-amā'the “oise: , ś head'ail but lying under her as deadly, ... seemed to undes stand, exactly how to deal with conceited death 's head.
Similarly , Nadja in " Word for Word " is reluctant to call Mr. Frankel by his first name , Ludwig , an act which would signal an acceptance of his appropriateness for her , since Ludwig — like Robert , Ernst , Fritz , Erich , Franz ...
Ellen went to Mrs. Donahue's house for help and Pius was soon hurrying to St. Lucy to telephone for a doctor. When Pius returned he brought the Carriers who remained all night. Bill and Pius helped the doctor set the bone and bind in ...
The mother was on Donahue. 60 Minutes did the doc and they'll repeat the news at ten. People dying, people killing, people crying— you can see it all on TV. Reality is really on TV. It's just another way to see— starvation in North ...
Philip P. Wiener . New York : Charles Scribner's Sons , 1973 . Plato . Plato : The Symposium . Trans . and ed . Alexander Nehemas and Paul Woodruff . Indianapolis : Hackett Publishing Company , 1989 . Plummer , Kenneth , ed .
When the credits started to roll and Carmen, needing her meds and cigarettes, handed Ryan her car keys, Mary Ellen stared in disbelief. “She's giving him her keys!” she thought, eyeing Pepe, trying to catch his attention because he knew ...
Here she debuts a provocative new story written especially for this series.
We make our way slowly into the assembly hall, where 26 identical pillars cut from one rock line the sides. A fat stupa cut of the same rock stands at the innermost part of the hall; 20 feet high, it's shaped like an overturned bowl ...
... 126 , 134 174 , 203 , 211 , 212 , 216 Theodorides , Aristide , 93 Wiseman , D. J. , 50 , 51 , 67 , Thomas , D. Winton , 170 , 84 , 85 , 89 , 93 , 170 , 200 171 , 200 Thompson , R. Campbell , Wolf , Herbert , 126 22 , 47 , 113 Wright ...
Everyone seems to have got something out of the speeches, the Metaphysical Revolution was declared, and Shelley's wind is now scattering “sparks, my words among mankind” (the passage Kathleen Raine quoted). We now hope it translates ...