This book is a collection of contemporary and abstract poetry dealing with the life and daily happenings through the fifties. People, places, attitudes and New York City nostalgia are the subjects of this collection of poetry. The 50's in New York City had a profound impact on the life of Michael A. J. Sardo. Writing about this era wasn't too hard to pen as it was an exciting time, a sad time, and a thought-provoking time in this poet's life. The sounds of Sardo's writings vibrate with the hustle and bustle of New York City. The author expresses in verse the often overlooked minor details of the big city. He sees the beauty in trivial occurrences. He hears the musical rhythms in the sounds of New York City. From Greenwich Village, he travels north toward the streets to mid-town, stopping along the way to do his shopping for ideas. Daytime and nighttime glamour of the greatest city in the world is what this contemporary poet is creating with his paper and pen canvas. His legal pads of various colors depicting his different moods are the medium of his excursions into the world of abstract, and sometimes surrealistic, poetry. It is the hope of Michael A. J. Sardo that New York City alive and vibrant, will take over this work of contemporary poetry. Many of the poems in this book represent approaches to configurations of sounds. Often times in the abstract poetry of this book, definitions of words become a minor point as compared to their sounds patterns.
This book is a collection of contemporary and abstract poetry dealing with the life and daily happenings through the fifties. People, places, attitudes and New York City nostalgia are the subjects of this collection of poetry.
. . . This book assembles an unforgettable pastiche of New York life in the 1950s, and commemorates the much-hailed rediscovery of Jerry Dantzic as a major contributor to mid-20th-century American photography.
Enriched by the recollections of friends and colleagues who bring their own insights to this book: Norman Mailer, Joan Didion, Calvin Trillin, Allen Ginsberg, and others. Photographs.
... is Simply Too Much to Think About.” New York Times, May 3, 2015, Book Review section: 20. Barrier, Mike. “Interview.” In Frank Tashlin, eds. Claire Johnston and Paul Willenen (London: Vineyard Press, 1973). Beaufort, John. “An Assault ...
Exactly how Riley acquired riveting skills (having been a milkman) is not stated. ... Basis: A masked man, known only as the Lone Ranger, and his Indian companion, Tonto, battle injustice in the early days of the Old West.
In “A Porter's Love Song to a Chambermaid,” an amusing but surprisingly gentle song by James P. Johnson and Andy Razaf, the porter lists a series of metaphorical connections, including dust pan and broom, clothes pin and “pulley line,” ...
... Matthew Morrison (Cable), Loretta Ables Sayre (Bloody Mary), Danny Burstein (Billis), and Li Jun Li (Liat). The production included “My Girl Back Home,” which had been dropped during the 1949 tryout and later added to the 1958 film.
The Encyclopedia of the African and African American Experience Anthony Appiah, Henry Louis Gates (Jr.) ... According to Christian legend, Saint Maurice (Saint Maurice d'Agaune), the first Christian saint to be explicitly represented as ...
At the end of World War II New York City went through a period of transformation - loved ones were reunited and babies were born into a new era. African American soldiers who fought in the name of democracy demanded equal rights at home.
This book documents the careers of newspaper fashion editors and details what the fashion sections included in the post-World War II years.