A treasure is taken by force. The Rhine-gold has been fashioned into a ring of dominion! Thereafter, crime after crime is committed in vain attempts by gods and mortals alike to possess its power of influence. However, each attempt must be paid for by crushing personal loss that serves only to drive the pursuer ever more fiercely to possess the cursed artifact. In the heart of this web of tragedy, a god struggles with the destiny that he himself had wrought for his kind. Having touched the Rhine-gold, no peace is possible for him until he has won the weapon that he hopes to wield in the struggle to avert ultimate disaster to the gods. As his schemes to regain the lost treasure become ever more complex, his losses become ever more terrible. Unheeding of the price revealed to him, he rages on until he has to ask: is the prize worth the loss of his mortal son and his immortal daughter?
The edition includes a German text and Mr. Porter has provided an essay dealing with the problems of translating the work. Book jacket.
"Scrupulous . . . planned and executed with quite unusual care." --Opera
Even if we live in a world from which gods and heroes have disappeared we can, by imagining them, dramatize the deep truths of our condition and renew our faith in what we are.†?Love, death, sacrifice and the liberation that we win ...
' Love, death, sacrifice and the liberation that we win through sacrifice - these are the great themes of the Ring, as they are of this book.
The harrowing tale of obsession, betrayal, vengeance, and redemption brought to life.
It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.
Today, more than a century after its first performance, Richard Wagner's The Ring of Nibelung endures as one of the most significant artistic creations in the history of opera. This...
Whatever my courage tells me Is eternal law to me — And whatever my senses tell me, That is fated for me. Tell those who have sent you: No sword can cut for a coward, Only the strong can make use of its sharpness — No one will be able ...
(Limelight). Commentary on and a concise, lucid interpretation of the opera world's most complex masterwork, expanded from the author's popular intermission talks during Met Opera broadcasts.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations.