An Unexpected Parody: The Unauthorized Spoof of The Hobbit revisits the film with mayhem, mirth, and magic missiles-or at least, crumpled newspaper missiles. Torn Teepeeshield, the Hot Prince of the Dwarves, puts aside his developing stardom in dwarf cabaret to quest to the Lame Old Mountain and destroy the dragon Erpolushun, or in the common tongue, Smog. Gonedaft the Grey, formerly known as Gonedaft the Grizzled and Gonedaft of the Rainbow Tie-die that He So Can't Pull Off, recruits Bumble Baglunch, country gentleman and professional coward, since as an avid comic book fan and all-around geek, Bumble's too smart to fall prey to obvious fantasy clichés. Together with Bobbin, Noggin, Rover, Clover, Sloppy, Ploppy, Frappe, Hottie, Spottie, Quaff, Sloth, and Ezekiel the dwarves, they journey across Renfair Earth to revive their franchise. Destiny may be a word writers use to pave over plotholes, but Bumble is determined to triumph nonetheless and play as good a game of goblin golf as his ancestors.
What happens to that power when conventionality tips into parody? In this book, Lauryl Tucker explores the connection between genre parody and queerness in twentieth-century British fiction.
When God told Abraham that at the age of 100 he was going to be a father, the old geezer fell down on his face and laughed. It was a scene worthy of an early silent slapstick comedy. Buster Keaton couldn't have taken a better pratfall.
Even the otherwise resourceful Encyclopedia of Opera on Screen attributes the opera's attractiveness (with over 70 screen renditions, it is the most often adapted, as well as one of the most often staged operas in the world) to the ...
This book is a comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia.
In this setting of Kazaklanguage spectacle, the normally trite Russian folk song suddenly emerges as unexpected. The implication of ethnicity as ... Pastiche and parody alike provide opportunities to rework and recontextualise identity.
but rather with the unexpected appearance of the other Chilean beauty, Gabriela Cóo. Fuentes completes his parody of the popular historical novel with an unexpected happy ending: with Ofelia dead, Baltasar is free to marry Gabriela and ...
Hollindale, Peter (1996) 'Drama', in Peter Hunt (ed.) International Companion Encyclopedia of Children's Literature, New York: Routledge, 206–19. Hollindale, Peter (1997) Signs of Childness in Children's Books, Stroud: Thimble Press.
The other thread of quotes that inserts lack of realism in Jarmusch's film fosters bastardy in several ways. First the very practice of quotation adds to this impression of “neither/nor” because quotes here fuse the enunciative voices ...
... we can return one last time to the Pundit Exchange, which wraps up on the Report in an unexpected manner. ... He appears to be a parody of a parody—perhaps, more precisely, a parody of a more postmodern kind of pastiche, ...
... world,” observes Ibn Hazm near the conclusion of his treatise on love.29 Through the final fates of its characters, WWW becomes an unexpected parody of noir, its lovers succumbing to a lovesickness seemingly from a bygone era.