An illustrated portrayal of three Alabama sharecropper families in 1936 examines their everyday existence in poverty.
The book shattered journalistic and literary conventions.
"This collection of essays illuminates a multitude of aspects of James Agee and Walker Evans's Let Us Now Praise Famous Men.
Winner of the Pulitzer Prize for Nonfiction in 1990 In And Their Children After Them, the writer/photographer team Dale Maharidge and Michael Williamson return to the land and families captured in James Agee and Walker Evans’s inimitable ...
Winner of the Pulitzer Prize for Nonfiction in 1990 In And Their Children After Them, the writer/photographer team Dale Maharidge and Michael Williamson return to the land and families captured in James Agee and Walker Evans’s inimitable ...
This volume also includes The Morning Watch (1951), an autobiographical novella that reflects Agee’s deep involvement with religious questions, and three short stories: “Death in the Desert,” “They That Sow in Sorrow Shall Not Reap ...
This timely reappraisal of Walker Evans and James Agee’s photo-textual collaboration Let Us Now Praise Famous Men, 1941 focuses on the interdisciplinary aspects of the book. It provides in-depth chapters...
The collection sold prolifically throughout the 1960s and ’70s in mass-market editions as a new generation of readers discovered the deep talents of the writer Dwight Macdonald called “the most broadly gifted writer of our American ...
By 1940-41, Evans had made over six hundred photographs and had begun to edit the series. The book remained unpublished until 1966 when The Museum of Modern Art mounted an exhibition of Evans’s subway portraits.
In this latest addition to the Afterall One Work series, photographer Olivier Richon examines Kitchen Corner.
Accompanying the fifty-two images in Walker Evans: Florida is novelist Robert Plunket's wry account of the human and geographic landscape of Florida.