The Ballets Russes has engaged people for 100 years, ever since Russian-born Sergei Diaghilev created this dynamic avant-garde company. Diaghilev brought together some of the most important visual artists of the 20th century - Pablo Picasso, Henri Matisse, André Derain, Robert and Sonia Delaunay, Georges Braque, Giorgio de Chirico, Natalia Gonchorova and Mikhail Larionov and more - who worked as costume and stage designers with composers such as Igor Stravinky, choreographers such as Michel Fokine, and dancers such as Vaslav Nijinsky, infusing new life and creative energy into the performing arts of the time.
Premiering in Paris, the Ballets Russes, for the brief period of its existence (1909 - 29), created exotic, extravagant, and charming theatrical spectacle but also critical discussion and technical innovation, as well as exuding glamour - and often creating scandal - wherever it appeared.
The costumes featured in this book are drawn entirely from the National Gallery of Australia's world-renowned collection of Ballets Russes costumes and ephemera. Through the costumes, drawings, programs and posters, the visual spectacle of the Ballets Russes is brought back into view for a contemporary audience to appreciate the revolution it was and the ongoing influence it continues to have today.
This book is a must for anyone interested in the performing arts, the intersection of art and design, and costume and fashion.
This volume of Native myths and legends is an indispensable document in the history of North American anthropology.
Discusses Cuban traditions, culture, religion, media, literature, and arts.
His daughter Elsie, with her brother, opened a studio on the north side of Henry Street, at Bates Hill, with an entrance angled between the two streets. The brother soon took off for points west and the sister was forced to carry on ...
A true adventure story of a man who built a four-million acre cattle empire in the remote ranges of the British Columbia Interior.
While the KM literature takes licence with Polanyi, it also seems to ignore Nonaka and Takeuchi's rejection ofthe idea that knowledge can be managed as opposed to created (see also Von Krogh et al. 2000).5 Von Krogh et al.
In another first , Diahann Carroll joined the cast as Dominique Devereaux , a chanteuse once involved with Blake . Carroll's became the first African American to appear as a series regular on a major serial drama .
An important film director of this period was Sigifredo Salas , who made a number of popular films including Gallo de mi galpdn ( The Rooster in my Shed ; 1938 ) , El guapo del pueblo ( The Good - looking Man of the People ; 1938 ) ...
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... John H. Wood * Federal Reserve Bank of New York , New York , NY , USA Economics Department , Wake Forest University , Winston - Salem , NC 27109 , USA Received 1 April 2002 ; received in revised form 13 August 2002 ; accepted 20 ...
Otis Dudley Duncan, David L. Featherman, Beverly Duncan. Coombs , L. C. , Freedman , R. , Friedman ... In N. Smelser and S. Lipset ( Eds . ) , Social structure and mobility in economic development . Chicago , Illinois : Aldine , 1966 .