Linda Nochlin explores the contradictions and dissonances that mark experience as well as art. Her book confronts the issues posed in representations of the body in the art of impressionists, modern masters, and contemporary realists and post-modernists.
Linda Nochlin, Bathers, Bodies, Beauty, The Visceral Eye (Cambridge, MA: Harvard University Press, 2006). Nochlin, Bathers, Bodies, Beauty, 20. Ibid., 15. Ibid., 74–76. Ibid., 57. Ibid., 79. It is interesting that Nochlin expresses ...
Sometimes representations alone form most ofthe content ofinquiry, as in Rough Beauty, by Dave Anderson (2006), ... by Donald Spoto (2009); Bathers, Bodies, Beauty: The Visceral Eye, by Linda Nochlin (2006); Swooning Beauty: A Memoir ...
His friend Alan Ross recalls that 'Keith was by nature a stoic and a fatalist',25 so it is unsurprising that he dramatized in the journal his retreat to a rural idyll, in doing so conscientiously objecting to modern life itself.
Photography and the Body in Nineteenth-Century France Raisa Rexer, Anne E. Linton ... siècle et au début du XXe siècle,” in Qui a peur des femmes photographes? 1839–1945, ed. Guy Cogeval et al., (Paris: Musée d'Orsay, 2015), 43. 15.
This book uses a feminist approach to analyzing gender relations in the production and distribution of folk art in four different cultures.
See also Biet and Fragonard, Tragédies et récits de martyres en France; Céline Fournial, 'Viol et ravissement sur la ... 19 Pierre Laudun d'Aigaliers, L'Art poétique françois, book V, chapter 4, 'De la forme, nature et définition de la ...
Examining portraits of black people over the past two centuries, Cutting a Figure argues that these images should be viewed as a distinct category of portraiture that differs significantly from depictions of people with other racial and ...
“More Beautiful Than a Beautiful Thing: The Body, Old Age, Ruin, and Death.” In Bathers, Bodies, Beauty: The Visceral Eye, 253–92. Cambridge, Mass.: Harvard University Press, 2006. Novero, Cecilia. Antidiets of the Avant-Garde: From ...
Simply put, the idea of Monet's art as in crisis seems formalist. ... Expressionist artists, critics, and curators in the 1950s and 1960s, among them Clement Greenberg and William Seitz, whose 1960 text on Monet saw wide circulation.
One must be certain of being beautiful all over before posing - like me , " she concludes . ... See Linda Nochlin , Bathers , Bodies , Beauty : The Visceral Eye ( Cambridge , MA : Harvard University Press ...