In Classical China, crafted artifacts offered a material substrate for abstract thought as graphic paradigms for social relationships. Focusing on the fifth to second centuries B.C., Martin Powers explores how these paradigms continued to inform social thought long after the material substrate had been abandoned. In this detailed study, the author makes the claim that artifacts are never neutral: as a distinctive possession, each object—through the abstracting function of style—offers a material template for scales of value. Likewise, through style, pictorial forms can make claims about material "referents," the things depicted. By manipulating these scales and their referents, artifacts can shape the way status, social role, or identity is understood and enforced. The result is a kind of "spatial epistemology" within which the identities of persons are constructed. Powers thereby posits a relationship between art and society that operates at a level deeper than iconography, attributes, or social institutions.
Historically, Pattern and Person traces the evolution of personhood in China from a condition of hereditary status to one of achieved social role and greater personal choice. This latter development, essential for bureaucratic organization and individual achievement, challenges the conventional opposition between "Western" individuals and "collective" Asians.
People, Pattern and Process: An Introduction to Human Geography
" The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language. At the core of these books is the idea that people should design for themselves their own houses, streets, and communities.
Presents six dressmaking patterns that can be used to create an entire wardrobe that has thirty-six different looks and a total of over two hundred garments and accessories.
This bestselling book is a groundbreaking contribution to the psychology self-help field.
Delving into the cultures and creativity of the area's inhabitants, primarily those of British and Germanic heritage, this comprehensive work looks closely at localisms and regionalisms of form, ornament, and construction that were ...
Why can humans alone invent? In The Pattern Seekers, Cambridge University psychologist Simon Baron-Cohen makes a case that autism is as crucial to our creative and cultural history as the mastery of fire.
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
A stimulating and inspiring exploration of creative approaches to visual expression: a sourcebook of ideas and images.
Part prophesy, part satire, Pattern Recognition skewers the absurdity of modern life with the lightest and most engaging of touches. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks won't be able to put this book down.
Metric conversion charts, charts for comparing pattern company bodice measurements, and a history of American dress design (Just where did size 10 come from?) make this book a versatile reference.