In the 1960s, art patrons Dominique and Jean de Menil founded an image archive showing the ways that people of African descent have been represented in Western art from the ancient world to modern times. Highlights from the image archive, accompanied by essays written by major scholars, appeared in three largeâeformat volumes, consisting of one or more books, that quickly became collectorâe(tm)s items. A halfâecentury later, Harvard University Press and the Du Bois Institute are proud to have republished five of the original books and five completely new ones, extending the series into the twentieth century. The Rise of Black Artists, the second of two books on the twentieth century and the final volume in The Image of the Black in Western Art, marks an essential shift in the series and focuses on representation of blacks by black artists in the West. This volume takes on important topics ranging from urban migration within the United States to globalization, to Négritude and cultural hybridity, to the modern black artistâe(tm)s relationship with European aesthetic traditions and experimentation with new technologies and media. Concentrating on the United States, Europe, and the Caribbean, essays in this volume shed light on topics such as photography, jazz, the importance of political activism to the shaping of black identities, as well as the post-black art world.
Image of the Black in Western Art
The Image of the Black in Western Art, Volume II: From the Early Christian Era to the "Age of Discovery,"...
The 'Black but Human' topos that emerges from the African work songs and poems written by Afro-Hispanics encodes the multi-layered processes through which a black emancipatory subject emerges and a 'black nation' forges a collective ...
Earlier volumes of Honour's monumental study are cited in BCL3 .
This volume traces the history of painting from medieval times to modern times with a focus on each era and its major artists.
The Image of the Black in Western Art
The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world--Africa, East Asia, and the Indian subcontinent.
Now, fifty years later, as the first American president of African American descent serves his historic term in office, her mission has been re-invigorated through the collaboration of Harvard University Press and the W.E.B. Du Bois ...
Investigates the participation of black Africans, usually referred to as "Ethiopians," by the Greek and Romans, in classical civilization, concluding that they were accepted by pagans and Christians without prejudice.
30 f .; An Anatomical Exposition Of The Structure Of The Human Body ( tr . ... See P.J. Weston's The Noble Primitive in English Fiction 1674-1796 ( unpublished Ph.D. diss . , Univ . of Exeter , 1977 ) , pp .