In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.
Finest drawings (1865–1895) by brilliant 19th-century English artist. 44 drawings.
The other-worldly essence and idealistic spirituality of their art is showcased in this heady collection of Pre-Raphaelite renderings from the masters of the period: John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, Evelyn ...
This volume explores the lives and works of the central figures in the group: among others, the Rossettis, William Holman Hunt, John Everett Millais, Ford Madox Brown, William Morris and Edward Burne-Jones.
Anyone who has seen the work of the Pre-Raphaelites has been struck by the dreamy, luminous women portrayed in the paintings. But who were these women?
The paintings of the Pre-Raphaelite Brotherhood are widely known and loved, but this book - newly available in paperback - presents a comprehensive survey of the intimate world of the Pre-Raphaelites' drawings.
Pre-Raphealite Botherhood inspired coloring book Beautiful hand drawn adult coloring book for anyone who loves the Pre Raphealite movement of the 19th century. 12 images to color from artist, Dante Gabriel Rossetti, John Everett Millais, ...
The author, Fiona MacCarthy, is the curator of the National Portrait Gallery's 2014-15 exhibition Anarchy and Beauty: William Morris and His Legacy .
A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings.
THIRTEEN COLONIES & THE LOST COLONY(tm) Take a step back and discover the thirteen colonies of Colonial America. From European exploration through the American Revolution, witness the unique history and...
The saga is brought to life through the vivid letters and diaries kept by the group and the accounts written by their contemporaries. These real-lie stories shed new light on the greatest nineteenth-century British art.