Warren argues, quite bluntly, that “African American literature” has outlived its relevance as the dominant category for poetry, fiction, and plays written by African Americans. Contradicting an influential portion of the field, which regards this literature as an emanation of vernacular expression going back to slavery, and even to Africa, Warren asserts that African American literature was the body of literature and criticism written by black Americans within and against the strictures of Jim Crow America. In arguing against the continued relevance of the category of African American literature, Warren is certainly not claiming that racism has ceased to exist. Rather, he says that while it continues to make a great difference in African American life, other social and political factors weigh heavily also - so much so that categories which take race as the fundamental unifying category of black expression no longer serve well in meeting the challenges of the moment. In this respect, Warren shows that “African American literature” is a category that has not sufficiently adjusted with our current material and ideological circumstances to warrant claims to a changing present or a provisional futurity. Warren argues that the presumptions and protocols of the category remain ossified within the past, within a definition that only shows how its primary arbiters and practitioners were themselves ossified as contradictory or compromised men of their time.
The Routledge Introduction to African American Literature considers the key literary, political, historical and intellectual contexts of African American literature from its origins to the present, and also provides students with an ...
From the earliest texts of the colonial period to works contemporary with Emancipation, African American literature has been a dialogue across color lines, and a medium through which black writers have been able to exert considerable ...
In Selwyn R. Cudjoe (ed.), Caribbean Women Writers: Essays from the ... Phillips, Caryl. The Atlantic Sound. ... R. Hackforth. Ed. Edith Hamilton and Huntington Cairns. Princeton, NJ: Princeton University Press, 1961 (Bollingen Series).
Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition.
In the criticism that surrounds these novels, she identifies two major interpretive approaches: “therapeutic reading” (premised on the assurance that literary confrontations with historical trauma will enable psychic healing in the ...
This book challenges the long-held assumption that African American literature aptly reflects black American social consciousness.
A collection of stories, poetry, criticism, and essays by black writers reflects their environment and attitudes
This book engages the ways African American authors have shifted, recycled, and reinvented the conjure woman in fiction.
influential White critic William Dean Howells praised the dialect poems above the others in the volume, ... and was influenced primarily by White American and British poets such as Poe, Longfellow, Tennyson, Shelley, and Shakespeare.
Featuring contributions from both established and rising scholars, whose in-depth essays cover the Black Atlantic and the New World literatures of the African Diaspora in the late eighteenth and early nineteenth centuries; the rise of ...