Charles Sheeler (1886-1965) was one of the most noted American painters and photographers to embrace the iconography of the machine. But was he high priest or heretic in the religion of mass production and technology that dominated his era? Karen Lucic considers this intriguing question while telling us Sheeler's story, and showing us how Sheeler produced images of extraordinary aesthetic power that provocatively confirmed America's technological and industrial prestige in vivid detail.
In addition to making a meaningful contribution to the resurging interest in Modernism and its revisionist narratives, this book offers copious connections between the past and our present day, poised on the verge of a fourth industrial ...
9 Those artists often referred to as Precisionists, other than Sheeler, include Charles Demuth, Georgia O'Keeffe, ... 11 Lucic's Charles Sheeler and the Cult of the Machine remains a key text on Sheeler and, whilst critical of the ...
Charles Sheeler to Walter Arensberg, October 25, 1927, Arensberg Archives, quoted in Lucic, Charles Sheeler and the Cult of the Machine, p. 92. Matthew Josephson, “Henry Ford,” Broom 5 (October 1923): 142. Charles Sheeler to Walter ...
Additional material on Irish American immigrants can be found in Greeley's That Most Distressful Nation and Wakin's Enter the Irish American. For an account of Irish unrest with Britain and parallel rebellious interestswith America, ...
Housed in the former Marshall Field mansion on Chicago's historic Prairie Avenue, the school had been modernized in keeping with its mission of educating the whole person and providing the tools for a new vision appropriate to a new age ...
... The Sower of 1850 ( Museum of Fine Arts , Boston ) and The Gleaners of 1857 ( Musée d'Orsay , Paris ) . He defines in them , more powerfully than any other artist , the epic drama of the peasants and the land they work .
The Bureau of Reclamation: From developing to managing water, 1945-2000
78 For further discussion see Andrews, E.D., 'Kentucky Shakers', The Magazine Antiques, 1947, Neal, J., 'Regional Characteristics of Western Shaker Furniture', The Magazine Antiques, 1970 and Neal, J., The Kentucky Shakers, 1982 (Neal ...
Goody, Alex, Modernist Articulations: A Cultural Reading of Djuna Barnes, Mina Loy and Gertrude Stein (London: Palgrave Macmillan, 2007). Gray, Richard, A History of American Literature (Malden, MA: Blackwell Publishing, Gubar, Susan, ...
Lucic, Karen, Charles Sheeler and the Cult of the Machine, London: Reaktion, 1991. Orvell, Miles, 'The Artist Looks at the Machine: Whitman, Sheeler and American Modernism', in After the Machine: Visual Arts and the Erasing of Cultural ...