"""Suppose,"" Clifford Geertz suggests, ""having entangled yourself every now and again over four decades or so in the goings-on in two provincial towns, one a Southeast Asian bend in the road, one a North African outpost and passage point, you wished to say something about how those goings-on had changed."" A narrative presents itself, a tour of indices and trends, perhaps a memoir? None, however, will suffice, because in forty years more has changed than those two towns--the anthropologist, for instance, anthropology itself, even the intellectual and moral world in which the discipline exists. And so, in looking back on four decades of anthropology in the field, Geertz has created a work that is characteristically unclassifiable, a personal history that is also a retrospective reflection on developments in the human sciences amid political, social, and cultural changes in the world. An elegant summation of one of the most remarkable careers in anthropology, it is at the same time an eloquent statement of the purposes and possibilities of anthropology's interpretive powers. To view his two towns in time, Pare in Indonesia and Sefrou in Morocco, Geertz adopts various perspectives on anthropological research and analysis during the post-colonial period, the Cold War, and the emergence of the new states of Asia and Africa. Throughout, he clarifies his own position on a broad series of issues at once empirical, methodological, theoretical, and personal. The result is a truly original book, one that displays a particular way of practicing the human sciences and thus a particular--and particularly efficacious--view of what these sciences are, have been, and should become."
Edited by Jan Peters. Berlin: Sozialpolitischer Verlag, 1979, 45–51. —Wolfgang Staudte. Reinbek bei Hamburg: Rowohlt, 1996. Luhmann, Niklas. Art as a Social System. Translated by Eva M. Knodt. Stanford, CA: Stanford University Press, ...
In Accessories After the Fact, Sylvia Meagher delivers a blistering blow to the credibility of the Warren Report, and decades after its original publication researchers and readers are still discovering what made her work so important.
The conceptual break is occasionally not so clear; instead of red, an orange screen appears occasionally, such as when Hall recalls how he set up courses in film studies in collaboration with the British Film Institute.
divided but living upon an illusory consensus11 from the myth of racial democracy to Bossa Nova.12 In fact, the Internet represents a factor of equalization, which is hard to be undone. Not everyone with Internet access feels equally ...
Fun Facts & Trivia Tidbits G Whiz. 50. No more school. Summer lies before them, and it is a sweltering day. Daddy has moved on, and mom has no time for them. Now, it's up to them to find something to occupy their time. 51.
فتاة..عازف أكورديون..بعض الألمان المتعصبين..ملاكم..سرقات متعددة...هم أبطال قصة احتفظت بها لأعيد سردها مراراً وتكراراً، واحدة من قصص كثيرة تحاول كل منها أن تثبت لي أنكم أنتم، ووجودكم الإنساني، أمر يستحق...
WORDY PLAGIARISM: After The Fact The Scrapyard, Volume 10 Collections Include: Loading... Shift F7 Vulgarisms After The Fact
Katrina After the Fact is a poignant look at life in New Orleans after the storm.