"Describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers...Captivating and often amusing." --Wall Street Journal "Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper." --New York Review of Books "As usual, Grafton presents largely unfamiliar material...in a clear, even breezy style...Erudite." --Michael Dirda, Washington Post In this celebration of bookmaking in all its messy and intricate detail, Anthony Grafton captures both the physical and mental labors that went into the golden age of the book--compiling notebooks, copying and correcting proofs, preparing copy--and shows us how scribes and scholars shaped influential religious treatises and forgeries. Inky Fingers ranges widely, from the sustaining and constraining effects of theological polemics in the early days of printing to the textual revolutions of the seventeenth and eighteenth centuries. Grafton draws new connections between humanistic traditions and intellectual innovations, textual learning and the delicate, arduous, error-riddled craft of making books. Through it all, he reminds us that the life of the mind depends on the work of the hands, and the nitty gritty work of printmakers has had a profound impact on the history of ideas.
Humanists with Inky Fingers: The Culture of Correction in Renaissance Europe
Vivanti, Corrado. 1963. Lotta politica e pace religiosa in Francia tra Cinque e Seicento. Turin: Einaudi. Vrolijk, Arnoud, and Kasper van Ommen, eds. 2009. “All My Books in Foreign Tongues”: Scaliger's Oriental Legacy in Leiden, ...
Christianity and the Transformation of the Book combines broad-gauged synthesis and close textual analysis to reconstruct the kinds of books and the ways of organizing scholarly inquiry and collaboration among the Christians of Caesarea, on ...
A raucous yet detailed look back at the evolution of the music press and the passionate rock and pop journalists who documented the sounds that changed our culture.
Too Mighty to Be Free: Censorship and the Press in Britain and the Netherlands. Zutphen, Netherlands: De Walburg Pers, 1987. Dutton, Richard. Licensing, Censorship, and Authorship in Early Modern England. London: Palgrave, 2000.
Carley, James P., and Colin G. C. Tite (eds), Books and Collectors 120041700: Essays Presented to Andrew Watson (London, 1997). ... Carter, Harry, A History of the Oxford University Press: Volume I to the Year 1780 (Oxford, 1975).
Alastair Fowler presents a fascinating study of title-pages printed in England from the early modern period to the nineteenth century. He examines pictorial title-pages in the context of the History of the Book for the first time.
9 Wither's account of the stationer's statutory freedom “ to belye his Authors intentions ” ( sig . H5 ' ) is largely correct , though , in fairness , most stationers did make reasonable attempts to produce an accurate text .
Drawing on Shakespeare, anthropomorphic typography, figured letters, and Cyrillic pedagogy and politics, this book explores the ways in which alphabetic thinking and writing inform literature and the visual arts, and it develops reading ...
Herbert Hunger, Lexikon der griechi- schen und rbmiscben Mythologie, mit Hinweisen auf das Fortwirken antker Stoffe und Motive in der bildenden Kunst, Literatur und Musik des Abendlandes bis zur Gegenwart, 8th rev. ed.