Not confessional or autobiographical, not openly political or gender-conscious: all that Marianne Moore's poetry is not has masked what it actually is. Cristanne Miller's aim is to lift this mask and reveal the radically oppositional, aesthetic, and political nature of the poet's work. A new Moore emerges from Miller's persuasive book--one whose political engagement and artistic experiments, though not cut to the fashion of her time, point the way to an ambitious new poetic. Miller locates Moore within the historical, literary, and family environments that shaped her life and work, particularly her sense and deployment of poetic authority. She shows how feminist notions of gender prevalent during Moore's youth are reflected in her early poetry, and tracks a shift in later poems when Moore becomes more openly didactic, more personal, and more willing to experiment with language typically regarded as feminine. Distinguishing the lack of explicit focus on gender from a lack of gender-consciousness, Miller identifies Moore as distinctly feminist in her own conception of her work, and as significantly expanding the possibilities for indirect political discourse in the lyric poem. Miller's readings also reveal Moore's frequent and pointed critiques of culturally determined power relationships, those involving race and nationality as well as gender. Making new use of unpublished correspondence and employing close interpretive readings of important poems, Miller revises and expands our understanding of Marianne Moore. And her work links Moore--in her radically innovative reactions to dominant constructions of authority--with a surprisingly wide range of late twentieth-century women poets.
Presented and collected by Heather Cass White, the foremost scholar of Moore’s work, this new collection at last allows readers to experience the untamed force of these dazzling poems as the author first envisioned them.
These notes, in turn, point readers to narrative accounts of Moore's associations with her early publishers that offer a range of historical, contextual, biographical, and bibliographic information about the publication events of Moore's ...
The Complete Poems of Marianne Moore
Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Brings together nearly three hundred essays and reviews, ten short stories, and more than one hundred short book reviews, notices, and highly crafted one-sentence "blurbs."
More than thirty years after her death, Marianne Moore continues to be one of America's most beloved poets. However, her "Collected Poems" (1951) omits twenty years of later beauties. And...
Linda Leavell's Holding On Upside Down—the first biography of this major American poet written with the support of the Moore estate—delves beneath the surface of this calcified image to reveal a passionate, canny woman caught between ...
"A companion volume to "A-quiver with Significance : Marianne Moore, 1932-1936" ... reproduces "What Are Years" in full, as well as the earliest published version of each poem it contains, and provides variant tables that note all of the ...
The first collection of essays about Marianne Moore to appear in fifteen years, this book brings together the work of well established Moore scholars such as Patricia C. Willis, Elizabeth Gregory, Cristanne Miller, Linda Leavell, and Robin ...
Critical essays, mostly on poetry.